This book is splendid, a worthy successor to such beautifully-produced books on typography as - Verlietis Sixteenth-Century Printing Types of the Low Countries. No reviewer, in a review of this length, can do justice to it, or to the range of types it describes. In addition to 150 illustrations, it contains eight pages of bibliography and five pages of index. It will certainly become a standard work of reference for Irish typefacesí Printing Historical Society Bulletin

Strange Country identifies the origin, the development, and the success of the Irish literary tradition in English as one of the first literature that is both national and colonial.

This book examines the architectural design of housing projects in Ireland from the mid-twentieth century. This period represented a high point in the construction of the Welfare State project where the idea that architecture could and should shape and define community and social life was not yet considered problematic. Exploring a period when Ireland embraced the free market and the end of economic protectionism, the book is a series of case studies supported by critical narratives. Little known but of high quality, the schemes presented in this volume are by architects whose designs helped determine future architectural thinking in Ireland and elsewhere. Aimed at academics, students and researchers, the book is accompanied by new drawings and over 100 full colour images, with the example studies demonstrating rich architectural responses to a shifting landscape.

Part of a series providing an authoritative history of the book in Ireland, this volume comprehensively outlines the history of 20th-century Irish book culture. This book embraces all the written and printed traditions and heritages of Ireland and places them in the global context of a worldwide interest in book histories.

Techniques for creating eight classic Irish lace designs are the basis of this crafter's guide. The fancy projects in this collection include Annabella Bridal Necklave, Irish Crochet Combs, Ring Bearer Pillow, Irish Isle Doily, Irish Rover Scarf, Tripoly Doily, April Morn Shawl, and Irish Whisper Doily. All patterns use sizes 10 or 20 thread, size five pearl cotton, and light worsted weight yarn.

The Oxford History of the Irish Book is a major new series that charts the development of the book in Ireland from its origins within an early medieval manuscript culture to its current incarnation alongside the rise of digital media in the twenty-first century. Volume III: The Irish Book in English, 1550-1800 contains a series of groundbreaking essays that seek to explain the fortunes of printed word from the early Renaissance to the end of the eighteenth century. The essays in section one explain the development of print culture in the period, from its first incarnation in the small area of the English Pale around Dublin, dominated by the interests of the English authorities, to the more widespread dispersal of the printing press at the close of the eighteenth century, when provincial presses developed their own character and style either alongside or as a challenge to the dominant intellectual culture. Section two explains the crucial developments in the structure and technical innovation of the print trade; the role played by private and public collections of books; and the evidence of changing reading practices throughout the period. The third and longest section explores the impact of the rise of print. Essays examine the effect that the printed book had on religious and political life in Ireland, providing a case study of the impact of the French Revolution on pamphlets and propaganda in Ireland; the transformations illustrated in the history of historical writing, as well as in literature and the theatre, through the publication of play texts for a wide audience. Others explore the impact that print had on the history of science and the production of foreign language books. The volume concludes with an authoritative bibliographical essay outlining the sources that exist for the study of the book in early modern Ireland. This is an authoritative volume with essays by key scholars that will be the standard guide for many years to come.

The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that the roots of Irish modernism lie in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. Drawing on literary theory, studies of space, the history of cartography andIrish Studies, the book paints a picture of Irish writing deeply engaged in the representation of the multi-layered landscape, and will appeal to students of Irish literature, modernism, Irish history, mapshistory, and theories of space and place.