If an Irish person said to you, "Gimmie that yoke," would you think they were talking about an egg? If so, 99% of the time, you'd be wrong. How about banjaxed, bockety or craic? Any idea what they mean? The Little Book of Irishisms is for anyone who wants to understand the Irish, not just our words but how we are as people, relaxed about some things, picky about others. It's also for those who'd like to sound Irish, even just for Paddy's Day. You'll learn tricks to Irishify your chat - and how to avoid those clangers that people think we say but never do, like the classic, "Top of the morning to you." If you're coming to Ireland and want to fit right in, this book's for you. If you can't make it, here's a way of visiting in spirit. "Go on, go on, go on. You will, you will, you will," to quote the infamous Irish comedy, Father Ted. The Little Book of Irishisms is the perfect novelty gift for St. Patrick's Day, as a Christmas stocking filler, or at any time to someone who appreciates what it means to be Irish.

A brilliant satire from one of the great novelists of his time. In his first novel in nearly twenty years, Alexander Theroux, National Book Award Nominee, returns with a compendious satire, a bold and inquisitorial circuit-breaking examination of love and hate, of rejection and forgiveness, of trust and romantic disappointment, of the terrors of contemporary life. Eugene Eyestones, an erudite sex columnist for a Boston cultural magazine, becomes enmeshed in the messy life of a would-be artist named Laura Warholic, who, repulsing and fascinating him at the same time, becomes a mirror in which he not only sees himself but through which he is forced to face his own demons. Not only does she inadvertently supply him with material for his columns, but she exemplifies all that Eugene considers wrong with contemporary America (of which the publishing profession and its recognizable denizens serves as a microcosm)a garish and dunce-filled Babylon that Theroux scorches with inventive and relentless satire. Nostalgic for the old days and old manners, a way of life lost to grace, loving from afar a mysterious beauty named Rapunzel Wisht, Eugene fights against the rising tide of stupidity, focusing on Laura in the hope that by saving her he can validate his ethical beliefs. But feckless Laura and the colorful but bizarre cast of characters surrounding Eugenebrilliant bigots, nihilists, Generation-X slackers and zanies of all sexual persuasionsthreaten to pull him under, leading to the novel's unforgettable conclusion, a climax of betrayal and redemption of Dostoevskyan power.

Meet Alexander Vespucci: Irishman, economist, admirer of women and hopeless drifter in life. Alexander suffers from in situ dislocation and dreams of escaping to freedom, but can manage to do so in his imagination. Alexander's friends, his family, his girlfriend - everyone seems to find him a bit odd. And he isn't entirely in sympathy with them either. But Alexander is on to something. He has a facility for seeing beauty, truths. He notices being. He comprehends motion and ambiguity. When the Taoiseach shakes his hand and congratulates him on a job well done, Alexander appears to be sinking into ignominous failure. But maybe that is also OK. Perhaps failure is a portal to something bigger. Set during the pinnacle of the bubble in Dublin, Being Alexander is a book about life, about knowing and noticing things and a satire of Irish society at the height of our recent madness.

From the acclaimed author of The Magdalen Girls and The Taster comes a powerful, unforgettable novel of strength and resilience, set against the backdrop of the Irish famine. Ireland, 1845. To Briana Walsh, no place on earth is more beautiful than Carrowteige, County Mayo, with its sloping fields and rocky cliffs perched above the wild Atlantic. The small farms that surround the centuries-old Lear House are managed by her father, agent to the wealthy, reckless Sir Thomas Blakely. Tenant farmers sell the oats and rye they grow to pay rent to Sir Thomas, surviving on the potatoes that flourish in the remaining scraps of land. But when the potato crop falls prey to a devastating blight, families Briana has known all her life are left with no food, no resources, and no mercy from the English landowner, who seems indifferent to everything except profit. Rory Caulfield, the hard-working young farmer Briana hopes to marry, shares the locals’ despair—and their anger. There’s talk of violent reprisals against the callous gentry and their agents. Briana’s studious older sister, Lucinda, dreams of a future far beyond Mayo. But even as hunger and disease settle over the country, killing and displacing millions, Briana knows she must find a way to guide her family through one of Ireland’s darkest hours—toward hope, love, and a new beginning. Praise for V.S. Alexander’s The Taster “This haunting and engrossing novel will appeal to fans of Anthony Doerr and Kristin Hannah.” —Booklist “The ‘taster’s’ story adds to a body of nuanced World War II fiction such as Elizabeth Wein’s Code Name Verity, Anthony Doerr’s All the Light We Cannot See, and Tatiana de Rosnay’s Sarah’s Key. Book clubs and historical fiction fans will love discussing this and will eagerly await more from Alexander.” —Library Journal

Dublin, 1962. Within the gated grounds of the convent of The Sisters of the Holy Redemption lies one of the city’s Magdalen Laundries. Once places of refuge, the laundries have evolved into grim workhouses. Some inmates are “fallen” women—unwed mothers, prostitutes, or petty criminals. Most are ordinary girls whose only sin lies in being too pretty, too independent, or tempting the wrong man. Among them is sixteen-year-old Teagan Tiernan, sent by her family when her beauty provokes a lustful revelation from a young priest. Teagan soon befriends Nora Craven, a new arrival who thought nothing could be worse than living in a squalid tenement flat. Stripped of their freedom and dignity, the girls are given new names and denied contact with the outside world. The Mother Superior, Sister Anne, who has secrets of her own, inflicts cruel, dehumanizing punishments—but always in the name of love. Finally, Nora and Teagan find an ally in the reclusive Lea, who helps them endure—and plot an escape. But as they will discover, the outside world has dangers too, especially for young women with soiled reputations. Told with candor, compassion, and vivid historical detail, The Magdalen Girls is a masterfully written novel of life within the era’s notorious institutions—and an inspiring story of friendship, hope, and unyielding courage.

Irish literature's roots have been traced to the 7th-9th century. This is a rich and hardy literature starting with descriptions of the brave deeds of kings, saints and other heroes. These were followed by generous veins of religious, historical, genealogical, scientific and other works. The development of prose, poetry and drama raced along with the times. Modern, well-known Irish writers include: William Yeats, James Joyce, Sean Casey, George Bernard Shaw, Oscar Wilde, John Synge and Samuel Beckett.

"A thriller about a Black society with a secret"--