The fifth volume of The Oxford History of British & Irish Catholicism--covering the period from the Great War, through the Second World War and the Second Vatican Council--surveys the transformed ecclesial landscape between the papacies of Benedict XV and Pope Francis. It explores the efforts of bishops, priests and people in Ireland and Scotland, Wales and England to respond to modern challenges and reintegrate the experiences and expertise of the laity into the ministry of the Church. Alongside the twentieth century's designation as an era of technological innovation, war, peace, globalization, decolonization and liberation, this period has also been designated 'the People's Century'. Viewed through the lens of the Catholic church in Britain and Ireland, these same dynamics are explored within thematic, synoptic chapters by leading scholars. As a century characterized by the rise, or better renewal of the apostolate of the laity, this edited collection traces the struggles to reconcile tradition, re-evaluate hierarchical authority, adapt to social and educational mobility, as well as to adjudicate serious challenges from outside and within--including inflammatory biopolitics and clerical sexual abuse--to religious belief and the legitimacy of the Church as an institution.

This book opens up a new area of research in the history of the institution of the Irish Presentation Sisters and the impact of Vatican II, 1962–1965 on women religious life in Ireland. The challenges offered by the Council were taken on by the Presentation Congregation and resulted in a trans-national structure known today as the ‘Union of Presentation Sisters’. In the latter half of the twentieth century, Vatican II called for the need for ‘adaptation’ and ‘renewal’ of religious life. This involved not just changes within the structures of religious life, but also meant that, psychologically, religious needed to change how and what they thought religious life in the twentieth century should be. The traditions of centuries had to be examined in the context of the ‘modern’ twentieth-century world and had to adapt to this change. However, the scope of the work is wide-ranging as it also examines issues that surrounded the transformation experienced by the Presentation Sisters. These included relations with the Church at both diocesan level and international level. In their efforts to implement change, they were often hampered by the local Bishops in Ireland but were supported by the Church in Rome. This book explores the whole area of women religious life in Ireland in the post-Vatican II period and examines the implications of these changes in relation to women religious and the Church.

Modernity and religion are not mutually exclusive. Setting German and Irish church, synagogue and mosque architecture side by side over the last century highlights the place for the celebration of the new within faiths whose appeal lies in part in the stability of belief they offer across time. Inspired by radically modern German churches of the 1920s and 1930s, this volume offers new insights into designers of all three types of sacred buildings, working at home and abroad. It offers new scholarship on the unknown phenomenon of mid-century ecclesiastical architecture in sub-Saharan Africa by Irish designers; a critical appraisal of the overlooked Frank Lloyd Wright-trained Andrew Devane and an analysis of accommodating difficult pasts and challenging futures with contemporary synagogue and mosque architecture in Germany. With a focus on influence and processes, alongside conservationists and historians, it features critical insights by the designers of some of the most celebrated contemporary sacred buildings, including Niall McLaughlin who writes on his multiple award-winning Bishop Edward King Chapel and Amandus Sattler, architect of the innovative Herz-Jesu-Kirche, Munich.

Sacrosanctum Concilium opened the door to all Christians to understand the contemporary challenge to their life and health, and it started with the reform of the liturgy. In the words of Paul VI the liturgy is the 'first source of life communicated to us, the first school of our spiritual life, the first gift we can give to Christian people by our believing and praying, and the first invitation to the world.' That is surely true for all of us.

Contributors and offerings include: - Robert F. Taft, SJ, "Home Communion in the Late Antique East"- Maxwell E. Johnson, "Eucharistic Reservation and Lutheranism: An Extension of the Sunday Worship?"- John F. Baldovin, SJ, "Catherine Pickstock and Medieval Liturgy"- Michael S. Driscoll, "Mozart and Marriage: Ritual Change in Eighteenth-Century Vienna"- Edward Foley, Capuchin, "Re-Attaching Tongue to Body: The Aesthetics of Liturgical Performance"- Gilbert Ostdiek, OFM, "Let the Poet Speak"- Patrick W. Collins, "Spirituality, the Imagination and the Arts"- John Allyn Melloh, SM, "On the Vocation of the Preacher"- Andrew D. Ciferni, OPRAEM, "Framing the Scriptures: Preaching at the Eucharist on High Holy Days"- Raymond Studzinski, OSB, "Practice Makes Perfect: Reading as Transformative Spiritual Practice"- R. Kevin Seasoltz, OSB, "In the Celtic Tradition: Irish Church Architecture"

An examination of the emergence, reception and legacy of modernism in Ireland. Engaging with the ongoing re-evaluation of regional and national modernisms, the essays collected here reveal both the importance of modernism to Ireland, and that of Ireland to modernism. This collection introduces fresh perspectives on modern Irish culture that reflect new understandings of the contradictory and contested nature of modernism itself.--