Irish Adventures in Nation-building consists of eighteen mostly-chronological essays examining the debates and processes that have shaped the modernisation of Ireland since the beginning of the twentieth century. The vantage points examined include those of prominent revolutionaries, cultural nationalists, clerics, economists, sociologists, political scientists, public intellectuals, journalists, influential civil servants, political leaders and activists who weighed into debates about the condition of Ireland and where it was going. Topics considered range from why Patrick Pearse's ideas about education were ignored to why Ireland has been recently so open to large-scale immigration, from the intellectual conflicts of the 1930s to the future of Irish identity. This is a genuinely multi-disciplinary book that offers an accessible overview of how Ireland and what it means to be Irish has changed during the last century.

The book tells the unique story of WEIZAC, an early computer built by a “new nation” in the early 1950s. It was created in Israel, even though the feasibility of this project was actually close to null when it was initially conceived, in 1946, and, unlike most of the early computer projects, was privately financed mainly by the Jewish world community. The book draws on a wealth of documents and historical insights to reveal the processes and powers that led to the successful completion of the project and, as well as its actual impact on scientific activities in Israel, and on the rise of a local computing community. Based on archival data, the book shows how a synergy of personal dedication together with an organizational and national mission that links the Zionist vision with science and technology for the Jewish people helped to achieve a well-defined goal. The book offers intriguing insights and refreshing perspectives to all readers interested in the Zionist movement or in the history of computing.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The introduction of co-operative societies into the Irish countryside during the late-nineteenth century transformed rural society and created an enduring economic legacy. Civilising rural Ireland challenges predominant narratives of Irish history that explain the emergence of the nation-state through the lens of political conflict and violence. Instead the book takes as its focus the numerous leaders, organisers, and members of the Irish co-operative movement. Together these people captured the spirit of change as they created a modern Ireland through their reorganisation of the countryside, the spread of new economic ideas, and the promotion of mutually-owned businesses. Besides giving a comprehensive account of the co-operative movement’s introduction to Irish society the book offers an analysis of the importance of these radical economic ideas upon political Irish nationalism.

This book engages with ageing masculinities in Irish literature and visual culture, including fiction, drama, poetry, painting, and documentary. Exploring the shifting representations of older men from the early twentieth century to the present, the contributors analyse how a broad range of literary and visual texts construct, reinscribe, or challenge perceptions of older age. In doing so, they trace a shift from depictions of authority figures - often symbolising patriarchal dominance and oppression - to more nuanced, complex, and heterogeneous explorations of older men’s embodied subjectivities and vulnerabilities. Exploring artists and writers such as Seán Keating, J.M. Synge, Teresa Deevy, Marina Carr, Seamus Heaney, Paul Muldoon, Derek Mahon, Kate O’Brien, John Banville, Colm Tóibín, Bernard MacLaverty, Mike McCormack, Anne Griffin, and Claire Keegan, the chapters in this book attend to the symbolic as well as social significance of older men in Irish cultural expression.

As a contribution to cultural policy studies, this book offers a uniquely detailed and comprehensive account of the historical evolution of cultural policies and their contestation within a single democratic polity, while treating these developments comparatively against the backdrop of contemporaneous influences and developments internationally. It traces the climate of debate, policies and institutional arrangements arising from the state’s regulation and administration of culture in Ireland from 1800 to 2010. It traces the influence of precedent and practice developed under British rule in the nineteenth century on government in the 26-county Free State established in 1922 (subsequently declared the Republic of Ireland in 1949). It demonstrates the enduring influence of the liberal principle of minimal intervention in cultural life on the approach of successive Irish governments to the formulation of cultural policy, right up to the 1970s. From 1973 onwards, however, the state began to take a more interventionist and welfarist approach to culture. This was marked by increasing professionalization of the arts and heritage, and a decline in state support for amateur and voluntary cultural bodies. That the state had a more expansive role to play in regulating and funding culture became a norm of cultural discourse.

How does religion maintain or challenge discourses on national identity? What are the roles that religion plays on all sides – from Islamophobia of the radical right to the Christian alliances on both sides of the Atlantic, to the Islamic beliefs and practices of European citizens as well as migrant communities – in the constitution of Fortress Europe? Are there any alliances shaping between belief and unbelief on either side of the battle for the future of Europe? These questions and more motivate the chapters in this timely interdisciplinary collection, with contributions focusing on diverse contexts throughout Europe involving a broad range of religious identifications and actors.

Ireland has been shaped by centuries of emigration as millions escaped poverty, famine, religious persecution, and war. But what happens when we reconsider this well-worn history by exploring the ways Ireland has also been shaped by immigration? From slave markets in Viking Dublin to social media use by modern asylum seekers, Migration and the Making of Ireland identifies the political, religious, and cultural factors that have influenced immigration to Ireland over the span of four centuries. A senior scholar of migration and social policy, Bryan Fanning offers a rich understanding of the lived experiences of immigrants. Using firsthand accounts of those who navigate citizenship entitlements, gender rights, and religious and cultural differences in Ireland, Fanning reveals a key yet understudied aspect of Irish history. Engaging and eloquent, Migration and the Making of Ireland provides long overdue consideration to those who made new lives in Ireland even as they made Ireland new.