Explains the reasons for the large Irish emigration, and examines the problems they faced adjusting to new lives in the United States.

Richard English's brilliant new book, now available in paperback, is a compelling narrative history of Irish nationalism, in which events are not merely recounted but analysed. Full of rich detail, drawn from years of original research and also from the extensive specialist literature on the subject, it offers explanations of why Irish nationalists have believed and acted as they have, why their ideas and strategies have changed over time, and what effect Irish nationalism has had in shaping modern Ireland. It takes us from the Ulster Plantation to Home Rule, from the Famine of 1847 to the Hunger Strikes of the 1970s, from Parnell to Pearse, from Wolfe Tone to Gerry Adams, from the bitter struggle of the Civil War to the uneasy peace of the early twenty-first century. Is it imaginable that Ireland might – as some have suggested – be about to enter a post-nationalist period? Or will Irish nationalism remain a defining force on the island in future years? 'a courageous and successful attempt to synthesise the entire story between two covers for the neophyte and for the exhausted specialist alike' Tom Garvin, Irish Times

NATIONAL BESTSELLER • A book in the best tradition of popular history—the untold story of Ireland's role in maintaining Western culture while the Dark Ages settled on Europe. • The perfect St. Patrick's Day gift! Every year millions of Americans celebrate St. Patrick's Day, but they may not be aware of how great an influence St. Patrick was on the subsequent history of civilization. Not only did he bring Christianity to Ireland, he instilled a sense of literacy and learning that would create the conditions that allowed Ireland to become "the isle of saints and scholars"—and thus preserve Western culture while Europe was being overrun by barbarians. In this entertaining and compelling narrative, Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization -- copying manuscripts of Greek and Latin writers, both pagan and Christian, while libraries and learning on the continent were forever lost—they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated. In the tradition of Barbara Tuchman's A Distant Mirror, How The Irish Saved Civilization reconstructs an era that few know about but which is central to understanding our past and our cultural heritage. But it conveys its knowledge with a winking wit that aptly captures the sensibility of the unsung Irish who relaunched civilization.

Art, Ireland and the Irish Diaspora reveals a labyrinth of social and cultural connections that conspired to create and sustain an image of Ireland for the nation and for the Irish diaspora between 1893 and 1939. This era saw an upsurge of interest among patrons and collectors in New York and Chicago in the 'Irishness' of Irish art, which was facilitated by gallery owners, émigrés, philanthropists, and art-world celebrities. Leading Irish art historian, Éimear O'Connor, explores the ongoing tensions between those in Ireland and the expatriate community in the US, split as they were between tradition and modernity, and between public expectation and political rhetoric, as Ireland sought to forge a post-Treaty international identity through its visual artists. Featuring a glittering cast of players including Jack. B. Yeats, George Russell (AE), Lady Gregory, and Seán Keating, and richly illustrated in colour with images from archives on both sides of the Atlantic, Art, Ireland and the Irish Diaspora presents a wealth of new research, and draws together, for the first time, a series of themes that bound the Dublin art scene with that in New York and Chicago through complex networks and contemporary publications at an extraordinary time in Ireland's history.

Engagingly written and packed with illustrations, Early Ireland offers an authoritative introduction to the riches of Irish prehistory.

Between 1600 and 1929, perhaps seven million men and women left Ireland and crossed the Atlantic. Ireland and Irish America is concerned with Catholics and Protestants, rural and urban dwellers, men and women on both sides of that vast ocean. Drawing on over thirty years of research, in sources as disparate as emigrants' letters and demographic data, it recovers the experiences and opinions of emigrants as varied as the Rev. James McGregor, who in 1718 led the first major settlement of Presbyterians from Ulster to the New World, Mary Rush, a desperate refugee from the Great Famine in County Sligo, and Tom Brick, an Irish-speaking Kerryman on the American prairie in the early 1900s. Above all, Ireland and Irish America offers a trenchant analysis of mass migration's causes, its consequences, and its popular and political interpretations. In the process, it challenges the conventional 'two traditions' (Protestant versus Catholic) paradigm of Irish and Irish diasporan history, and it illuminates the hegemonic forces and relationships that governed the Irish and Irish-American worlds created and linked by transatlantic capitalism.

Mass immigration to the United States was nowhere more apparent than in the immigration of the Irish between 1815 and the failure of the potato crop in 1845/1846, during which time a million Irish men and women emigrated here. This book provides a detailed account of the economic, social, and political factors underlying the early migrations; an examination of the emigrant trade and its links with American shipping interests; and a history of government policy regarding assisted and unassisted emigration.