A history of the cosmopolitan forces that made contemporary Iran “No ruling regime,” writes Hamid Dabashi, “could ever have a total claim over the idea of Iran as a nation, a people.” For decades, the narrative about Iran has been dominated by a false binary, in which the traditional ruling Islamist regime is counterposed to a modern population of educated, secular urbanites. However, Iran has for many centuries been a nation forged from a diverse mix of influences, most of them non-sectarian and cosmopolitan. In Iran Without Borders, the acclaimed cultural critic and scholar of Iranian history Hamid Dabashi traces the evolution of this worldly culture from the eighteenth century to the present day, journeying through social and intellectual movements, and the lives of writers, artists and public intellectuals who articulated the idea of Iran on a transnational public sphere. Many left their homeland—either physically or emotionally—and imagined it from places as far-flung as Istanbul, Cairo, Calcutta, Paris, or New York, but together they forged a nation as worldly as it is multifarious.

A deeply informed political and cultural narrative of a country thrust into the international spotlight Praised by leading academics in the field as "extraordinary," "a brilliant analysis," "fresh, provocative and iconoclastic," Iran: A People Interrupted has distinguished itself as a major work that has single-handedly effected a revolution in the field of Iranian studies. In this provocative and unprecedented book, Hamid Dabashi--the internationally renowned cultural critic and scholar of Iranian history and Islamic culture--traces the story of Iran over the past two centuries with unparalleled analysis of the key events, cultural trends, and political developments leading up to the collapse of the reform movement and the emergence of the combative presidency of Mahmoud Ahmadinejad. Written in the author's characteristically lively and combative prose, Iran combines "delightful vignettes" (Publishers Weekly) from Dabashi's Iranian childhood and sharp, insightful readings of its contemporary history. In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.

A country marked by controversy, Iran’s social, cultural and political dynamics are too often reduced to a few misleading clichés. Islamism is widely considered to shape all social relations in Iranian society and, while Iranian society is indeed Islamic, this term’s multiple meanings in everyday life and practices go far beyond the naïve and monolithic idea we are used to. The Thousand and One Borders of Iran analyses travel as a social practice, exploring how diasporas, margins and so-called peripheries are central in the construction of a national identity and thus revealing the complexities of Iranian history and society. Written by a leading anthropologist, it draws upon fieldwork carried out in Iran and Iranian migrant communities across Dubai, Tokyo and Los Angeles from 1998 to 2015. While casting new perspectives on the place of transnational relations in an increasingly globalized world, this work also sheds new light on the evolution of Iranian society, countering the explanation furnished by nationalist ideology that has been reproduced by the Islamic Republic itself. Its unique approach to the analysis of Iranian society through the theme of travel and borders considers the links and even the quarrels between the centre of Iranian society and the periphery, and the foreign elements that have contributed to society’s development. Travel is key to these interactions and, following the travels of merchants and workers, students or the faithful, elected officials and experts, or exiles and refugees, this book offers an anthropological study of travel that re-thinks Iranian history and national identity. This book would be of interest to students and scholars of Iranian Studies, Middle Eastern Studies and Anthropology.

A history of the cosmopolitan forces that made contemporary Iran “No ruling regime,” writes Hamid Dabashi, “could ever have a total claim over the idea of Iran as a nation, a people.” For decades, the narrative about Iran has been dominated by a false binary, in which the traditional ruling Islamist regime is counterposed to a modern population of educated, secular urbanites. However, Iran has for many centuries been a nation forged from a diverse mix of influences, most of them non-sectarian and cosmopolitan. In Iran Without Borders, the acclaimed cultural critic and scholar of Iranian history Hamid Dabashi traces the evolution of this worldly culture from the eighteenth century to the present day, journeying through social and intellectual movements, and the lives of writers, artists and public intellectuals who articulated the idea of Iran on a transnational public sphere. Many left their homeland—either physically or emotionally—and imagined it from places as far-flung as Istanbul, Cairo, Calcutta, Paris, or New York, but together they forged a nation as worldly as it is multifarious.

"Before he enlisted as a soldier in the Iran-Iraq war and disappeared, Amir Yamini was a carefree playboy whose only concerns were seducing women and riling his religious family. Five years later, his mother and sister Reyhaneh find him in a mental hospital for shell-shocked soldiers, his left arm and most of his memory lost. Amir is haunted by the vision of a mysterious woman whose face he cannot see-- the crescent moon on her forehead shines too brightly. He names her Moon Brow. Back home in Tehran, the prodigal son is both hailed as a living martyr to the cause of Ayatollah Khomeini's Revolution and confined as a dangerous madman. His sense of humor, if not his sanity, intact, Amir cajoles Reyhaneh into helping him escape the garden walls to search for Moon Brow. Piecing together the puzzle of his past, Amir decides theres only one solution: he must return to the battlefield and find the remains of his severed arm-- and discover its secrets"--Amazon.com.

A penetrating look into the unrecognized and unregulated links between autocratic regimes in Central Asia and centers of power and wealth throughout the West Weak, corrupt, and politically unstable, the former Soviet republics of Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan are dismissed as isolated and irrelevant to the outside world. But are they? This hard-hitting book argues that Central Asia is in reality a globalization leader with extensive involvement in economics, politics and security dynamics beyond its borders. Yet Central Asia’s international activities are mostly hidden from view, with disturbing implications for world security. Based on years of research and involvement in the region, Alexander Cooley and John Heathershaw reveal how business networks, elite bank accounts, overseas courts, third-party brokers, and Western lawyers connect Central Asia’s supposedly isolated leaders with global power centers. The authors also uncover widespread Western participation in money laundering, bribery, foreign lobbying by autocratic governments, and the exploiting of legal loopholes within Central Asia. Riveting and important, this book exposes the global connections of a troubled region that must no longer be ignored.

In the aftermath of Iran’s 2009 election, a woman undertakes a search for the statues disappearing from Tehran’s public spaces. A chance meeting alters her trajectory, and the space between fiction and reality narrows. As she circles the city’s points of connection—teahouses, buses, galleries, hookah bars—her many questions are distilled into one: How do we translate loss into language? Melding several worlds, perspectives, and narrative styles, trans(re)lating house one translates the various realities of Tehran and its inhabitants into the realm of art, helping us remember them anew.