The end of the Qajar era in Iran, despite the accepted narrative of decline, was in fact an occasion of modern and forward-thinking nationalism. Iran developed an imperial nationalism, which was informed by its experiences under British and Russian hegemony and the absorption of Western modern ideas and practices, and which now looked towards a future as a sovereign and independent state within the foundational framework of its previous Empire. Emboldened by post-WWI notions of self-determination and the development of international institutions devoted to peace, Iran spearheaded its new-found diplomacy by sending a delegation to the peace talks in Paris in 1919. This book shows how Iran's immediate post-war diplomacy came about, the conduct of Iran's delegation to Paris, frustrations with the Anglo-Persian Agreement, and ultimately how Iran's progress became the victim of British imperialism. Throwing a spotlight on an under-researched period of Iranian history, it will be of interest to readers of Iranian history, and those interested in the Paris Peace Conference of 1919.

For a brief period in the early 1950s, Iranian nationalism captured the world's attention as, under the leadership of Mohammad Mossadeq, the Iranian National Movement tried to liberate Iran from British imperialism. Regarding nationalism as a major determinant of the attitudes and loyalties of those who embrace it, Cottam analyzes the complex religious, national, and social values at work within Iran and examines, more generally, the turbulence of nationalism in developing states and its perplexing problems for American foreign policy. In a new 40-page chapter, added in 1978, Cottam updated his pioneering study by examining the condition of Iran fifteen years after his first analysis-from its rapid economic growth as an oil producer to Shah Mohammad Reza Pahlavi's unsuccessful efforts to rouse nationalistic sentiment in his favor.

From the rise of constitutionalism during the rule of despotic Qajars, foreign invasions, the Pahlavi regimes' destructive politics, economic, cultural and social modernization efforts and the oil nationalization movement, to the Iranian Revolution, its high hopes, broken promises, repression and intolerance causing national discontent and another socio-political upheaval today, the history of modern Iran has been eventful, unstable and turbulent. In this textbook, Ali Rahnema draws on his experience teaching and researching on modern Iran to render one hundred years of modern Iranian politics and history into easy-to-follow episodic chapters. Step by step, and taking a chronological approach, students are given the core information, analysis, and critical assessment to understand the flow of contemporary Iranian history. This is a comprehensive and exhaustive guide for undergraduate and graduate level courses on modern Iranian history and politics. The textbook is complete with the following pedagogical features: * An initial chapter on how to study Iranian history and how to approach historiography * Images of key individuals discussed in each chapter * Text boxes throughout to highlight key episodes, concepts, and ideas *Three types of exam questions; factual and analytical, seminar, and discussion at the end of each chapter * Glossaries at the end of each chapter *A comprehensive timeline Topics covered include: party formations; the flourishing of the press; the expansion or reduction of political and civil rights; repression and human right abuses; foreign intervention and influence; obsessions over conspiracies; the influence of Western ideologies, the role of nationalism, cultural and historical Persian chauvinism; and Shi'i Islam and competing Shiisms.

A landmark work of narrative history, Paris 1919 is the first full-scale treatment of the Peace Conference in more than twenty-five years. It offers a scintillating view of those dramatic and fateful days when much of the modern world was sketched out, when countries were created—Iraq, Yugoslavia, Israel—whose troubles haunt us still. Winner of the Samuel Johnson Prize • Winner of the PEN Hessell Tiltman Prize • Winner of the Duff Cooper Prize Between January and July 1919, after “the war to end all wars,” men and women from around the world converged on Paris to shape the peace. Center stage, for the first time in history, was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and wildly idealistic in his dream of a League of Nations that would resolve all future conflict peacefully, Wilson is only one of the larger-than-life characters who fill the pages of this extraordinary book. David Lloyd George, the gregarious and wily British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam. For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes received ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War. Praise for Paris 1919 “It’s easy to get into a war, but ending it is a more arduous matter. It was never more so than in 1919, at the Paris Conference. . . . This is an enthralling book: detailed, fair, unfailingly lively. Professor MacMillan has that essential quality of the historian, a narrative gift.” —Allan Massie, The Daily Telegraph (London)

Ten essays analyzing the history and effects of the Paris Peace Conference following World War I. The settlement of Versailles was more than a failed peace. What was debated at the Paris Peace Conference of 1919–1920 hugely influenced how nations and empires, sovereignty, and the international order were understood after the Great War?and into the present. Beyond Versailles argues thatthis transformation of ideas was not the work of the treaty makers alone, but emerged in interaction with nationalist groups, anti-colonial movements, and regional elites who took up the rhetoric of Paris and made it their own. In shifting the spotlight from the palace of Versailles to the peripheries of Europe, Beyond Versailles turns to the treaties’ resonance on the ground and shows why the principles of the peace settlement meant different things in different locales. It was in places a long way from Paris?in Polish borderlands and in Portuguese colonies, in contested spaces like Silesia, Teschen, and Danzig, and in states emerging from imperial collapse like Austria, Egypt, and Iran?that notions of nation and sovereignty, legitimacy, and citizenship were negotiated and contested. “This is an excellent collected volume, well-conceived and very well written. . . . This is not at all a top-down history of the diffusion of ideas about national self-determination. Rather, it is an examination of the ways in which these ideas were taken up, re-fashioned, and reasserted at many levels to serve local and regional agendas, while at the same time influencing international debates about the meanings and possible implementations of self-determination.” —Pieter M. Judson, author of The Habsburg Empire: A New History

The cinema of Iran is celebrated both locally and internationally, yet elements of this diverse field remain comparatively understudied. This book brings together a diverse range of scholars to explore contemporary Iranian cinema in its local and international contexts from a range of perspectives including aesthetic, socio-political comparative approaches. Its chapters analyse the work of well-known filmmakers on the international film circuit such as Abbas Kiarostami, Mohammad Reza Aslani and Jaffar Panahi, as well as internationally lesser-known domestic films such as those of Kamal Tabrizi and the 'Sacred Defence' films of the Iran-Iraq war. The book further widens its scope with chapters which also examine the material practices of the Iranian film industry itself, including chapters on the process by which Iranian films become 'accessible' to international audience. Finally, it considers, too, representations of Iranians in foreign cinemas, and how these have in turn affected Iranian films.