Involution- An Odyssey Reconciling Science to God. This book has been called '...a brilliant and profoundly erudite epic...a heroic intellectual tour de force...' (by David Lorimer, the Director of the Scientific and Medical Network) and both 'brave...and totally insightful (by Ervin Laszlo) but the book defies description; it breaks all the rules and is unlike any other. It is so comprehensive in its sweep, original in its writing, and its synthesis, that to isolate any aspect is to misrepresent all the others. Two companions, Reason and Soul, invite the reader to accompany them on a light-hearted poetic journey through the chronology of Western thought to uncover a bold hypothesis: that the evolution of science has been shaped by its gradual and accelerating recovery of memory (involution). That recovery has been led by the inspired maverick genius, moving backwards through time (usually called the past), but which has provided science's future at every moment of new creative thought. Scientific inspiration and its chronology mirrors evolution. This incremental excavation and transfer of memory to intellect implies the pre-human encoding (involution) of consciousness in the structure of matter, and the interconnected consciousness of all life. DNA is the likely encoding and mediating molecule, or resonant coherence of this information, through both time and space. The sweep of history is needed to expose this proposal and its evidence: It requires all the disciplines of science, all the epochs of thought: which only a poetic economy 'woven together with extraordinary subtlety' (Lorimer) could convey. Yet, paradoxically, through involution the collective journey has been lit by individuals, unique in their subjective contributions to the discipline that claims only 'objective' validated truth. The same pattern is mirrored in the congruent history of painting and musical composition. Genius differs only in the languages of expression. This book loosely weaves them all, using familiar material to arrive at an art, a science and divinity behind science. In nine swift Cantos the work travels through pre-human involution, the enfolding of consciousness in matter, and then early man's emergence on the Serengeti. Through the recorded civilizations of Greece, Rome, the Dark Ages, the Renaissance, into the Enlightenment and finally Modernism the success of science progressively obscures the internal story, the story of direct intuition, nous, experience, and the complement to Darwin that this collective involution provides. But there is more to it than merely science; for science is a language through which to follow a deeper journey, Mankind's collective journey inwards, to the nature of himself: which is why the scientific signposts are confined to end-notes to leave the poetic journey unencumbered. They take no scientific knowledge for granted: they are not essential to the poetic narrative but instead caulk the ship from which we view an alternative journey. By adding involution to evolution, mind and matter become two sides of a single coin, only perceived as distinct through the intellect's division from its deeper self, from consciousness, experience, and understanding. The co-creation of God and the universe is what this book restores and is about. It has been called a 'heroic tour de force, a brilliant and erudite epic...' but also 'clearly written and easy to read' It slaughters a few sacred cows, 'brave and a lot of fun.

A poetic Odyssey through the chronology of Western scientific thought, from Ancient Greece to Modernism to reveal the crucial role of inspiration (involution) as the recovery of evolutionary memory. The separation of intellect (science) from consciousness (God) has resulted in Man's alienation from the natural world and his true spiritual nature.

Although The Tin Drum has often been called one of the great novels of the 20th century, most critics have been baffled in attempting to draw its apparent chaos into a single literary framework. Here is the full-length study to penetrate the brilliance of Gunter Grass's style and uncover the novel's mythopoetic core. In A Mythic Journey: Gunter Grass's Tin Drum, author Edward Diller convincingly demonstrates the still valid relationship between modern and classical literary criticism. By reading The Tin Drum as both modern myth and historical epic, he provides a profound and sensitive interpretation of one of the masterpieces of 20th century literature.

Complete in itself, this volume originated as a commentary and expansion of Manly P. Hall's masterpiece of symbolic philosophy, The Secret Teachings of All Ages. In Lectures on Ancient Philosophy, Manly P. Hall expands on the philosophical, metaphysical, and cosmological themes introduced in his classic work, The Secret Teachings of All Ages. Hall wrote this volume as a reader's companion to his earlier work, intending it for those wishing to delve more deeply into the esoteric philosophies and ideas that undergird the Secret Teachings. Particular attention is paid to Neoplatonism, ancient Christianity, Rosicrucian and Freemasonic traditions, ancient mysteries, pagan rites and symbols, and Pythagorean mathematics. First published in 1929-the year after the publication of Hall's magnum opus-this edition includes the author's original subject index, twenty diagrams prepared under his supervision for the volume, and his 1984 preface, which puts the book in context for the contemporary reader.

This book pushes nihilism to its ultimate conclusion by linking revisionary naturalism in Anglo-American philosophy with anti-phenomenological realism in French philosophy. Contrary to the 'post-analytic' consensus uniting Heidegger and Wittgenstein against scientism and scepticism, this book links eliminative materialism and speculative realism.