Invisible Cathedrals places Wilhelm Worringer in the foreground of discussions of Expressionism and German Modernism for the first time. These essays not only reveal the complexities of his individual works, such as Abstraction and Empathy (1908) and Form Problems of the Gothic (1911), they also examine his lesser-known books and essays of the post-World War I years, the 1920s, and beyond. Invisible Cathedrals offers both a basic introduction to Worringer's writings and their broad influence, and a profound and detailed revisionist analysis of his significance in German and European Modernism. It also provides the most comprehensive bibliography to date of his own work and of the scattered criticism devoted to Worringer in different disciplines. Worringer's works were provocative, widely read, and often reprinted and were highly influential among artists and writers in Germany. As a result, they both raised suspicion in his own academic discipline of art history and excited discussion in other diverse fields, such as literary and social theory, psychology, and film theory. Worringer emerges here not solely as a scholarly commentator on the history of art, but also as an activist scholar who engaged his historical criticism of other periods directly in the production of culture in his own time. Contributors are Magdalena Bushart, Neil H. Donahue, Charles W. Haxthausen, Michael W. Jennings, Joseph Masheck, Geoffrey Waite, and Joanna E. Ziegler.

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There is nothing like the pain of feeling invisible to those around you. It especially hurts when you are serving, giving, and loving, and no one seems to notice or even care. In creating The Invisible Woman, Nicole Johnson shows how much she understands the difficulty of living with great responsibility without receiving any recognition. Nicole puts us inside the mind and heart of Charlotte Fisher. And as we walk through Charlotte's story of feeling invisible, we experience the comedy and loneliness of her life. The invisibility that at first feels inflicted ultimately brings her real significance and meaning. Drawing her strength from the invisible builders of the great cathedrals, Charlotte realizes she is not invisible to God, and this simple truth changes everything for her. Faith is rekindled in her heart as she seeks to love her family in ways that only invisibility makes possible.

For anyone who is concerned about Church decline, the contents of this book offer an essential blueprint for building God’s whole community in the coming years. This unique set of resources offers practical help and insight for all who want to grow, enrich and develop their congregational life. The Church of Scotland has drawn on the findings of extensive new research that it has commissioned in order to put together this set of carefully crafted and informed resources aimed at helping every congregation to understand why people leave the Church, how to avoid unnecessary departures and, above all, to develop an enriching, vital Christian fellowship with the large numbers of Churchless Christians in every community across the country. This ground-breaking book, illustrated by Dave Walker, offers information, hope, insight, prayerful reflection and practical ideas for bringing together in fellowship all Christians, whether they are members of an institutional Church or not.

“[A] lively biography of Chartres Cathedral . . . Ball’s account of its construction reveals fascinating details.” —The New Yorker Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries—and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic? In this work, Aventis Prize winner and National Book Critics Circle Award finalist Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world. Beautifully illustrated, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes. “A terrific book . . . a lucid, thoughtful tour de force.” —The Christian Science Monitor “Engrossing . . . a resplendent account of the mysteries of Chartres Cathedral.” —Sunday Times “There is no better introduction to the subject.” —The Wall Street Journal

Rewilding the Church explores afresh the compelling invitation of Jesus to ‘Follow me’ and the call to ‘throw off everything that hinders and entangles’. It poses provocative questions and issues a call to contribute to the great rewilding of the Church – and to be rewilded ourselves. The same human instincts that have disrupted our natural environment have also constrained and domesticated the Church and Rewilding the Church commends a rediscovery of the adventure of faith.