The edition of Johan Sebastian Bach's fifteen 3-Part Inventions, edited by Carl Czerny, contains editorial additions, including dynamics, fingering and tempo indications.

This collection includes a preface and table of embellishments by William Mason.

Bach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.

Students, teachers and professional pianists will find this volume invaluable. This historically accurate edition contains a wealth of background information on ornamentation, dotted rhythms in the Baroque style, and the recommended tempos and guidelines for performing the works on the piano. Bach's writing is carefully separated from the editorial suggestions in light gray print. A wealth of footnotes compare the various sources consulted.

Like the two-part inventions, Bach's three-part inventions (also known as Sinfonias) were composed as instructional material for his son, Wilhelm Friedemann. In researching the sinfonias, Willard A. Palmer discovered that previous editors had misinterpreted an important note in Sinfonia No. 11. Such careful research is a hallmark of Palmer's Bach editions.

Like the two-part inventions, Bach's three-part inventions (also known as Sinfonias) were composed as instructional material for his son, Wilhelm Friedemann. In researching the sinfonias, Willard A. Palmer discovered that previous editors had misinterpreted an important note in Sinfonia No. 11. Such careful research is a hallmark of Palmer's Bach editions.