An examination of New Zealanders' national identity, who claims our identity for us and why.

If necessity is the mother of invention then Kiwi ingenuity is its father. No. 8 Re-wired is a comprehensive, colourful treasury of New Zealand inventions – jam-packed with the stories behind 202 home-grown creations and the crafty people who dreamt them up. From well-known innovations (human flight, the discovery of DNA, the pavlova) to lesser-known feats (instant coffee, the referee's whistle, the electronic petrol pump) to the newest in high-tech world-firsts (robots and jetpacks!), it is the most complete and entertaining book ever on Kiwi ingenuity. And, yes, the pav is definitely ours. A surprising and absorbing account of Kiwi can-do, and a celebration of the No. 8 wire spirit on which New Zealand is built, it's also a revealing look at how innovation can power us into the future. 'No. 8 Re-wired brilliantly celebrates New Zealanders' disrespect for the status quo.' —Sir Ray Avery

Aotearoa New Zealand, "a tiny Pacific country," is of great interest to those engaged in postcolonial and literary studies throughout the world. In all former colonies, myths of national identity are vested with various interests. Shifts in collective Pakeha (or New Zealand-European) identity have been marked by the phenomenal popularity of three novels, each at a time of massive social change. Late-colonialism, anti-imperialism, and the collapse of the idea of a singular 'nation' can be traced through the reception of John Mulgan's Man Alone (1939), Keri Hulme's the bone people (1983), and Alan Duff's Once Were Warriors (1990). Yet close analysis of these three novels also reveals marginalization and silencing in claims to singular Pakeha identity and a linear development of settler acculturation. Such a dynamic resonates with that of other 'settler' cultures - the similarities and differences telling in comparison. Specifically, Reading Pakeha? Fiction and Identity in Aotearoa New Zealand explores how concepts of race and ethnicity intersect with those of gender, sex, and sexuality. This book also asks whether 'Pakeha' is still a meaningful term.

Fifteen writers with diverse personal and scholarly backgrounds come together in this collection to examine issues of identity, viewing it as both a departing point and end destination for the various peoples who have come to call New Zealand "home." The essays reflect the diversity of thinking about identity across the social sciences as well as common themes that transcend disciplinary boundaries. Their explorations of the process of identity-making underscore the historical roots, dynamism, and plurality of ideas of national identity in New Zealand, offering a view not only of what has been but also what might be on the horizon.

Touching on indigenous Maori relationships with the now-extinct, flightless moa; the attitudes of Pakeha, or European, settlers toward sheep; the iconography of whales and dolphins; the problems of pest-control; and the pleasures of pet-keeping, this modern-day bestiary is a fascinating study of human&–animal relations. In the book's four parts, the authors unravel the contradictory ways New Zealanders nurture and eradicate, glorify and demonize, cherish and devour, and describe and imagine animals. The study brings together insights from New Zealand's arts and literature, popular culture, historiography, media, and everyday life to describe and analyze their interactions with nga kararehe and nga manu, the beasts and birds of the land. In doing so, it illuminates fundamental aspects of New Zealand society: how New Zealanders understand their own identities and those of others; how they regard, inhabit, and make use of the natural world; and how they think about what they buy, eat, wear, watch, and read. Rich, multifaceted, and engaging, A New Zealand Book of Beasts satisfyingly explores how culture both shapes and is shaped by the &“beasts&” of Aotearoa.

Summary: "The Invention of New Zealand is an important study of nationalism in twentieth-century New Zealand art. From the 1930s onwards, artists, writers and critics such as Toss Woollaston, Allen Curnow, Colin McCahon, Rita Angus, A R D Fairburn, Doris Lusk and Monte Holcroft deployed art, literature and theory in the construction of a national identity, the search for the essence of New Zealand and the invention of a specifically New Zealand high culture. Francis Pound ponders, decodes, memorialises and celebrates this project from its starting moment when painters and poets became newly self-conscious about New Zealand art. He argues that in the early 1970s the framework was largely dismantled and the discourse abandoned by a new generation of artists and critics, such as Richard Killeen, Ian Scott and Petar Vuletic. Over ten fascinating chapters, Pound covers the Nationalistsʼ major concerns, their problems with antecedents, the formulation of their canon and their various co-option, adoption and rejection of Regionalism, Cubism, Modernism and Primitivism in their quest for invention. The Invention of New Zealand is a well-illustrated and engagingly written narrative by one of our most brilliant and original art historians.'--Publisher description.

This book provides the first comprehensive analysis of the various sociologies of New Zealand from the late 19th century to the present day. Opening with previously undocumented insights into the history of proto-sociology in New Zealand, the book then explores the parallel stories of the discipline both as a mainstream subject in Sociology departments and as a more diffuse ‘sociology’ within other university units .The rise and fall of departments, specialties and research networks is plotted and the ways in which external and internal factors have shaped these is explained. Different generations of sociologists, including many immigrants, are each shown to have left their unique mark on New Zealand sociology. The author demonstrates that the rising interest in topics specific to New Zealand has been accompanied by increasing capacities to contribute to world sociology. This book will have inter-disciplinary appeal across the social sciences and provides a valuable study of the development of sociology in a semi-peripheral country.