Poetry. "A sinewy, vividly intelligent humanity gives to this collection its memorable voice. In one sense, Jessica Greenbaum's poems are incisively local that Brooklyn landscape out of Whitman and Hart Crane. In another sense, however, they tell of the larger sadness and recognitions of our century. They 'design their world through love' and scrupulous observation. A first book by a poet very much to be listened to." George Steiner"

Anyone who writes verse, whether lyric poet, songwriter or composer of limericks or jingles, will find The Penguin Rhyming Dictionary an indispensable reference companion. Clearly arranged and easy to use, it offers an astonishingly wide range of suggestions for rhyming words, from the common and everyday to the more difficult and obscure. Unlike many of its predecessors it is not merely organized according to the spelling of words but is based on phonetic principles. Hence, rhymes such as trite, indict, and Fahrenheit, can be found together in the one group whereas words such as bough, cough and rough are not falsely forced together.

This book provides the reader with the information they need to develop into a person who seeks creative opportunities and responds with elegant inventions. It is intended for young inventor and to all those who have the talent and the desire to invent.

As he examines the changing views of Leonardo since the sixteenth century, A. Richard Turner both gives the reader a cultural history in brief of western Europe during this period and provides a context for examining Leonardo's relevance to our own ways of perceiving and interpreting the world.

Spilled and Gone, Jessica Greenbaum's third collection marries the world through metaphor so that a serrated knife on its back is as harmless as "the ocean on a shiny day," and two crossed daisies in Emily Dickinson's herbarium "might double as the logo /for a roving band of pacifists." At heart, the poems themselves seek peace through close observation's associative power to reveal cohering relationships and meaning within the 21st century-and during its dark turn. In the everyday tally of "the good against the violence" the speaker asks, "why can't the line around the block on the free night/ at the museum stand for everything, why can't the shriek /of the girls in summer waves . . . / be the call and response of all people living on the earth?" A descendant of the New York school and the second wave, Greenbaum "spills" details that she simultaneously replaces-through the spiraling revelations only poems with an authentic life-force of humanism can nurture.