Invented History, Fabricated Power begins with an examination of prehistoric beliefs (in spirits, souls, mana, orenda) that provided personal explanation and power through ritual and shamanism among tribal peoples. On this foundation, spiritual power evolved into various kinds of divine sanction for kings and emperors (Sumerian, Egyptian, Greek, Roman, Indian, Chinese and Japanese). As kingships expanded into empires, fictional histories and millennia-long genealogies developed that portrayed imperial superiority and greatness. Supernatural events and miracles were attached to religious founders (Hebrew, Hindu, Buddhist, Christian, Islamic). A unique variation developed in the Roman Church which fabricated papal power through forgeries in the first millennium CE and the later “doctrine of discovery” which authorized European domination and conquest around the world during the Age of Exploration. Elaborate fabrications continued with epic histories and literary cycles from the Persians, Ethiopians, Franks, British, Portuguese, and Iroquois Indians. Both Marxists and Nazis created doctrinal texts which passed for economic or political explanations but were in fact self-aggrandizing narratives that eventually collapsed. The book ends with the idealistic goals of the current liberal democratic way of life, pointing to its limitations as a sustaining narrative, along with numerous problems threatening its viability over the long term.

Divine Names are a key component in the communication between humans and gods in Antiquity. Their complexity derives not only from the impressive number of onomastic elements available to describe and target specific divine powers, but also from their capacity to be combined within distinctive configurations of gods. The volume collects 36 essays pertaining to many different contexts - Egypt, Anatolia, Levant, Mesopotamia, Greece, Rome - which address the multiple functions and wide scope of divine onomastics. Scrutinized in a diachronic and comparative perspective, divine names shed light on how polytheisms and monotheisms work as complex systems of divine and human agents embedded in an historical framework. Names imply knowledge and play a decisive role in rituals; they move between cities and regions, and can be translated; they interact with images and reflect the intrinsic plurality of divine beings. This vivid exploration of divine names pays attention to the balance between tradition and innovation, flexibility and constraints, to the material and conceptual parameters of onomastic practices, to cross-cultural contexts and local idiosyncrasies, in a word to human strategies for shaping the gods through their names.

How much of ourselves do we disclose when we speak or write? A person’s accent may reveal, for example, whether they hail from Australia, or Ireland, or Mississippi. But it’s not just where we were born—we divulge all sorts of information about ourselves and our identity through language. Level of education, gender, age, and even aspects of our personality can all be reliably determined by our vocabulary and grammar. To those who know what to look for, we give ourselves away every time we open our mouths or tap on a keyboard. But how unique is a person’s linguistic identity? Can language be used to identify a specific person? To identify—or to exonerate—a murder suspect? To determine who authored a particular book? The answer to all these questions is yes. Forensic and computational linguists have developed methods that allow linguistic fingerprinting to be used in law enforcement. Similar techniques are used by literary scholars to identify the authors of anonymous or contested works of literature. Many people have heard that linguistic analysis helped to catch the Unabomber, or to unmask an anonymous editorialist—but how is it done? LINGUSISTIC FINGERPRINTS will explain how these methods were developed and how they are used to solve forensic and literary mysteries. But these techniques aren’t perfect, and the book will also include some cautionary tales about mistaken linguistic identity.

The acclaimed and controversial historian turns his critical gaze on the writing of history today On its publication in 2009, Shlomo Sand’s book The Invention of the Jewish People met with a storm of controversy. His demystifying approach to nationalist and Zionist historiography provoked much criticism from other professional historians, as well as praise. The furore gave him a privileged position to consider his academic discipline, which he reflects on here in Twilight of History. Drawing on four decades in the field, Sand takes a wider view and interrogates the study of history, whose origin lay in the need for a national ideology. Over the last few decades, traditional history has begun to fragment, yet only to give rise to a new role for historians as priests of official memory. Working in Israel has sharpened Sand’s perspective, since the role of history as national myth is particularly salient in a country where the Bible is treated as a source of historical fact. He asks such questions as: Is every historical narrative ideologically marked? Do political requirements and state power weigh down inordinately on historical research and teaching? And, in such conditions, can there be a morally neutral and “scientific” truth? Despite his trenchant criticism of academic history, Sand would still like to believe that the past can be understood without myth, and finds reasons for hope in the work of Max Weber and Georges Sorel.

This book explores examples of this process of invention and addresses the complex interaction of past and present in a fascinating study of ritual and symbolism.

This book tackles both high efficiency and high linearity power amplifier (PA) design in low-voltage CMOS. With its emphasis on theory, design and implementation, the book offers a guide for those actively involved in the design of fully integrated CMOS wireless transceivers. Offering mathematical background, as well as intuitive insight, the book is essential reading for RF design engineers and researchers and is also suitable as a text book.

"In this new edition, Wheeler argues that, like Jay Gatsby in The Great Gatsby (1925), Knoxvillians have fabricated for themselves a false history, portraying themselves and their city as the almost impotent victims of historical forces that they could neither alter nor control. The result of this myth, Wheeler says, is a collective mentality of near-helplessness against the powerful forces of isolation, poverty, and even change itself. But Knoxville's past is far more complicated than that, for the city contained abundant material goods and human talent that could have been used to propel Knoxville into the ranks of the premier cities of the New South - if those assets had not slipped through the fingers of both the leaders and the populace.