Historical action and romance from one of Japan’s most beloved creators! L to R (Western Style). The Fate of a Sword Inuyasha must defend himself against the corrupted human Tonshu, who turns out to be responsible for the creation of the mysterious sword known as Dakki. Tonshu is intent on taking Inuyasha's sword, the mighty Testsusaiga, and Dakki's unique properties pose a serious threat to Tetsusaiga. If Inuyasha loses this battle then the Tetsusaiga will be gone for good. Historical Action And Romance From One of Japan's Most Beloved Creators Kagome is a modern Japanese high school girl. Never the type to believe in myths and legends, her world view dramatically changes when, one day, she's pulled out of her own time and into another! There, in Japan's ancient past, Kagome discovers more than a few of those dusty old legends are true, and that her destiny is linked to one legendary creature in particular--the dog-like half-demon called Inuyasha! That same trick of fate also ties them both to the Shikon Jewel, or "Jewel of Four Souls." But demons beware...the smallest shard of the Shikon Jewel can give the user unimaginable power.

The weather is so beautiful today, I squinted my eyes to look at the sky. Thanks to Mai's treatment, my eyes have recovered nearly nine percent. Now I just need to keep taking the medicine to fully recover. Sesshomaru is gone. somewhere early in the morning, he left me and Jaken in the middle of this desolate mountain forest, I was bored sitting on his back. Ah uh, Jaken was so sad because Sesshomaru left him behind that he sighed and went to look for some wildflowers. torturing us..........

Japanese anime plays a major role in modern popular visual culture and aesthetics, yet this is the first study which sets out to put today’s anime in historical context by tracking the visual links between Edo- and Meiji-period painters and the post-war period animation and manga series ‘Gegegeno Kitaro’ by Mizuki Shigeru. Through an investigation of the very popular Gegegeno Kitaro series, broadcast from the 1960s to the present time, the author is able to pinpoint the visual roots of the animation characters in the context of yôkai folklore and Edo- and Meiji- period monster painting traditions. Through analysing the changing images related to the representation of monsters in the series, the book documents the changes in the perception of monsters over the last half-century, while at the same time reflecting on the importance of Mizuki’s work in keeping Japan’s visual traditions alive and educating new audiences about folklore by recasting yôkai imagery in modern-day settings in an innovative way. In addition, by analysing and comparing character, set, costume and mask design, plot and storyline of yôkai-themed films, the book is also the first study to shed light on the roles the representations of yôkai have been assigned in post-war Japanese cinema. This book will be of particular interest to those studying Japanese visual media, including manga and animation, as well as students and academics in the fields of Japanese Studies, Animation Studies, Art History and Graphic Design.

Contributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Stephen Graham Jones, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. Weiner The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are “super” going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. While The Supervillain Reader focuses on the latter, it moves beyond comics to show how the vital concept of the supervillain is part of our larger consciousness. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or video games, the eternal struggle between villain and hero keeps us coming back to these stories over and over again.

Psicom Publishing Inc

Uneasy Allies Our friends are drowning in enemies! First, Miroku and Sango face a poisonous adversary; then, Inuyasha is attacked by the half-man, half-machine--but all evil--monstrosity known as Ginkotsu. Later, our friends encounter a mountain so sacred that most of them aren't even good enough to set foot on it. And finally, when their battle with the undead assassins known as the Band of Seven looks all but lost, Inuyasha and his comrades get some unlikely help from his brother, Sesshomaru, and rival, wolf demon Koga. Everything comes down to a fiery climax as another one of Naraku's malevolent plots is revealed! -- VIZ Media