Iñupiat of the Sii is a firsthand account of Wanni and Douglas Anderson’s lived experiences during eight field seasons of archaeological and ethnographic research in Selawik, Alaska, from 1968 to 1994. This study traces the Selawik village’s history, compares Selawikers' past and current lifeways, studies the interfacing of the traditional with the modern, and explores how specific events in the Selawik past continued to shape their lives. This fascinating book records, preserves, and contributes to the knowledge of the history and cultural lifeways of the Siilaviŋmiut people using contextual and ethnographic writing styles that apply community-based, lived-experience, and sense-of-place approaches. The authors, who have remained in contact with Selawikers since the original research period, center Iñupiaq elders’ and local Iñupiaq historians’ continued commitments to historical knowledge about the past, their ancestors, and their vast repertoire of traditional cultural and environmental knowledge. They portray the particularity of Iñupiaq life as it was lived, sensed, and felt by Selawikers themselves and as experienced by researchers. Quoted observations, conversations, and comments eloquently acknowledge Iñupiaq insiders’ narrative voices. Providing one of only a few ethnographic reviews of an Alaska Native village, Iñupiat of the Sii will appeal to general readers interested in learning about Iñupiaq lifeways and the experiences of anthropologists in the field. It will also be useful to instructors teaching college-level students how anthropological field research should be conducted, analyzed, and reported.

"First-hand account of the authors' lived experiences and archaeological and ethnographic research during eight field seasons in Selawik, Alaska, from 1968 to 1994, including historical and archaeological data representing the early periods of Selawik village"--

Designed to inform exhibiting institutions of the current program offered by the Inuit Art Section, Indian and Northern Affairs Canada. Includes a description of services available through the Research and Documentation Centre, list of exhibits prepared by the Section.

Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists’ statements to journalistic and critical essays. The collection shows how women’s experiences of migration have been articulated through art, film, poetry and even food. This varied approach aims to aid understanding of the lived experiences of home, loss, family, belonging, isolation, borders and identity—issues salient both in experiences of migration and in the epochal times in which we find ourselves today. These are stories of trauma and fear, but also stories of the strength, perseverance, hope and even joy of women surviving their own moments of disorientation, disenfranchisement and dislocation. This collection engages with current issues in an effort to deepen understanding, encourage ongoing reflection and build a more just future. It will appeal to artists and scholars of the humanities, social sciences, and public policy, as well as general readers with an interest in women’s experiences of migration.