The mysterious stone figures known as inuksuit can be found throughout the circumpolar world. Built from whatever stones are at hand, each one is unique. Inuksuit are among the oldest and most important objects placed by humans upon the vast Arctic landscape and have become a familiar symbol of the Inuit and their homeland.In author Norman Hallendy’s forty years of travels throughout the Arctic, he developed deep and lasting friendships with a number of Inuit elders. Through them, he learned that inuksuit are a nuanced, complex and vital form of communication. Hallendy’s dramatic color photos of many different kinds of inuksuit and objects of veneration capture not only a sense of wonder and power but reveal the unfamiliar Arctic landscape in all its magical beauty.

Unique and as beautiful as a snowflake or footprint, an Inuksut (inNUKshuk,) is one of the stone figures that can be seen dotting the Canadian Arctic region. Many made by ancient hands, the Inuksuit (inNUKsweet) purposes are varied, from earthly uses such as navigation and message centers to those of the spirit, as sites of reverence. Author Mike Ulmer explores the connectedness of all Arctic life in his tale, The Gift of the Inuksuk.To find recipes, games, interactives maps and much more for this title visit www.discovertheworldbooks.com! Author Mike Ulmer keeps an Inuksuk at home--it reminds him of the way the Inuit People of the North live a simple life and consume only what they need. His tale expresses this belief in a warm and simple manner that readers of all ages will appreciate and enjoy. Artist Melanie Rose's charming and lively oil paintings bring great variety and surprising bursts of color to this unique northern story.Mike lives in Hamilton, Ontario, Canada with his wife Agnes Bongers and their three daughters: Sadie, Hannah and Madalyn. When he is not learning about Inuksuk, Mike writes a sports column for the Toronto Sun newspaper. Among Mike's books are M is for Maple: A Canadian Alphabet and H is For Horse: An Equestrian Alphabet. Melanie Rose lives in Mississauga, Canada with her son Liam, and their two cats, Mickey and Meesha. Melanie teamed up with Mike previously on M is for Maple: A Canadian Alphabet. She has also illustrated Z is for Zamboni: A Hockey Alphabet and K is for Kick: A Soccer Alphabet. She is a graduate of the Ontario College of Art.

Arctic researcher, author, and photographer Norman Hallendy’s journey to the far north began in 1958, when many Inuit, who traditionally lived on the land, were moving to permanent settlements created by the Canadian government. In this unique memoir, Hallendy writes of his adventures, experiences with strange Arctic phenomena, encounters with wildlife, and deep friendships with Inuit elders. Very few have worked so closely with the Inuit to document their traditions, and, in this book, Hallendy preserves their voices and paints an incomparable portrait of a vibrant culture in a remote landscape.

Provides an up-to-date overview of the present state Visual Cultural Studies, featuring new original content, topics, and methods The Wiley Blackwell Concise Companion to Visual Culture brings together original research by both established scholars and new voices in the dynamic field, exploring the history, current state, and possible future directions of visual cultural studies. Organized as a series of non-traditional keyword essays, this innovative volume engages readers with a diversity of ideas and perspectives to broaden and enrich their understanding of visual culture and its operations. This accessible, reader-friendly volume begins with a brief introduction to the history and practices of visual studies, featuring interviews and conversations with key figures such as W.J.T. Mitchell and Douglas Crimp. The majority of the text explores key concepts within a broad framework of history, ecologies, mediations, agencies, and politics while placing particular emphasis on interdisciplinarity and intersectionality. Essays cover keyword topics including Identities, Representation, Institutions, Architectures, Memes, Environment, Temporality, and many more. Offering a unique approach to the subject, this timely resource: Presents new work from a diverse group of scholars with a broad range of social, cultural, and generational perspectives Emphasizes the importance of activism and political urgency in humanities scholarship Discusses engaging objects and discourses beyond film and art, such as architecture, video games, political activism, and the nonhuman Highlights the diverse and interconnecting elements of visual culture scholarship Includes case studies and short introductions that provide context and reinforce core concepts The Wiley Blackwell Concise Companion to Visual Culture is essential reading for advanced undergraduate students, graduate students, and scholars in the fields of visual studies, art history, film studies, and media studies.

This collection of eighteen papers honours the long and productive career of Dr. William E. Taylor, Jr. They deal with a range of topics in Canadian Arctic archaeology from the Mackenzie Delta to Labrador and from the earliest Palaeoeskimo to historical questions such as the origins of the Copper Inuit and the mysterious demise of the Sadlermiut.

Recognising that students bring different backgrounds and cultures to the classroom, this text offers a process approach to teaching with multiple student options and varying levels of complexity. It shows teachers of various ages how to create dynamic opportunities for language, literacy and learning.

The mediated Arctic analyses the multiple relations between geography and cultural production that have long shaped – and are currently transforming – the circumpolar world. It explores how twenty-first-century cultural practitioners imagine and poeticise various elements of Arctic geography, and in doing so negotiate pressing environmental, (geo)political, and social concerns. From the plasmatic force of ice in Disney’s Frozen films to the spatial vocabulary of circumpolar Indigenous hip hop, it addresses Arctic geographical imaginaries in a wide range of media, including literature, cinema, comic books, music videos, and cartographic art. The book brings together a plurality of voices from within and outside the circumpolar North, both in terms of the works analysed and in its own collaborative scholarly practice. The book bridges Indigenous and Southern mediations of the Arctic and combines different epistemologies to do justice to these imaginaries in their diversity.