Sarah Shahi is an American actress and former NFL cheerleader. She was born on January 10, 1980, in Euless, Texas, to an Iranian father and Spanish mother. Shahi grew up in a conservative Muslim household and attended Trinity High School where she was a member of the school's cheerleading team. After high school, Shahi studied English and Theatre at Southern Methodist University in Dallas. She started her career as an NFL cheerleader for the Dallas Cowboys from 1999 to 2000. Shahi then moved to Los Angeles to pursue her acting career and landed her first role in the television series "Alias" in 2001. She has since appeared in various television shows and movies, including "The L Word," "Fairly Legal," "Person of Interest," "Chicago Fire," "Reverie," and "Dolly Parton's Heartstrings." Shahi has also received critical acclaim for her lead role in the crime drama series "The Rookie," where she plays the character of Jessica Russo.

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Sarah Shahi is an American actress and former NFL cheerleader. She was born on January 10, 1980, in Euless, Texas, to an Iranian father and Spanish mother. Shahi grew up in a conservative Muslim household and attended Trinity High School where she was a member of the school's cheerleading team. After high school, Shahi studied English and Theatre at Southern Methodist University in Dallas. She started her career as an NFL cheerleader for the Dallas Cowboys from 1999 to 2000. Shahi then moved to Los Angeles to pursue her acting career and landed her first role in the television series "Alias" in 2001. She has since appeared in various television shows and movies, including "The L Word," "Fairly Legal," "Person of Interest," "Chicago Fire," "Reverie," and "Dolly Parton's Heartstrings." Shahi has also received critical acclaim for her lead role in the crime drama series "The Rookie," where she plays the character of Jessica Russo.

Stemming from an interdisciplinary conference sponsored by Culture Club: The Cultural Studies Scholars’ Association that included scholars from various disciplines and from around the world, this volume collects the work of graduate students and junior faculty which all examine the meaning of cultural scholarship in an ever-changing and increasingly global milieu. These voices, which often become marginalized and go unheard, represent what we see as the futures of interdisciplinary academic work in the humanities. The conference and this book are opportunities for scholars of diverse backgrounds and disciplines to come together and engage in a real dialogue with one another. Bringing disparate thoughts on politics, film, television, history, policy, and literature together counters the pressures pushing individuals to take political, religious, scholarly, and ideological sides. Through the efforts represented here, we gain a distanced, yet engaged, view on the many threads that bind us together and the forces that seek to separate us. Looking at this volume, the reader encounters many different approaches, from critical analysis of individual texts to autoethnography. The contributors and compilers of this book do not place these in separate sections or in any hierarchy but rather wish that all of these appear on an equally vital level that displays the ways in which each of the subjects and approaches might open up a piece of culture in a way that draws attention to the connections between them all.