This is the long-awaited book by Theodor Abt, who has been training analysts internationally in the art of picture interpretation since 30 years. His long experience in this field has led him to develop his own method, resulting in this book. Some 150 colour pictures accompany the text, making this book a valuable resource to have on the bookshelf for consultation in the following areas: Formal aspects; The symbolism of space; The symbolism of colours; The symbolism of numbers.

The image analysis community has put much effort into developing systems for the automatic reading of various types of documents containing text, graphic information, and pictures. A closely related but much more problematic task is the reading and interpretation of line drawings such as maps, engineering drawings, and diagrams. This book considers the problem in detail, analyzes its theoretical foundations, and analyzes existing approaches and systems.

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

Traditional methods for image scene interpretation and understanding are based mainly on such single-threaded procedural paradigms as hypothesize-and-test or syntactic parsing. As a result, these systems are unable to carry out tasks that require concurrent hypothesis testing.This book explores a method for symbolically interpreting images based upon a parallel implementation of a network-of-frames suggested, for example, by Minsky (1975), to describe intelligent processing. The system has been implemented in an object-oriented environment in the logic programming language Parlog++ and includes the propagation of uncertainty through each frame using Baldwin's (1986) formulation. The system is tested with several scenarios of increasing complexity, culminating with legal interpretation of traffic intersection images.

The Picture of Dorian Gray by Oscar Wilde from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” ― Oscar Wilde, The Picture of Dorian Gray A man sells his soul for eternal youth and scandalizes the city in Oscar Wilde's The Picture of Dorian Gray.

This thought-provoking and original book argues that hyperimages—calculated displays of images on walls or pages—have played a major role in the history of art. In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thürlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. In part because the hyperimage is not permanently available, this interplay of images has been largely unexplored. Through case studies organized within three groups of producers—collectors and curators, art historians, and artists—Thürlemann proposes a theory of the hyperimage, explores the semiotic nature of this plural image use, and discusses the arrangement and interpretation of such pictures in order to illuminate the phenomenon of Western image culture from the beginning of the seventeenth century until today. His analysis of the ways in which images are assembled and associated provides a crucial context for the explosive present-day deployment of images on digital devices.

Comprehensively revised and updated the Second Edition of the bestselling Visual Methodologies provides a critical introduction to the study and interpretation of visual culture. The Second Edition contains: - a completely new chapter on how to use the book - each chapter follows the same structure, making comparisons between methods easier - three extra chapters, each discussing a method not covered in the First Edition