Introduction to Loudspeaker Design is written for students, technicians, engineers and hobbyists seeking an overview of the technology of loudspeakers. Starting with a brief history of audio developments the book begins by introducing the concepts of frequency, pitch and loudness and proceeds to develop the idea of a loudspeaker as a system. The book covers such topics as loudspeaker design tradeoffs, spatial loading, diffraction loss, cavity effect and enclosure construction. A complete chapter is devoted to the subject of crossover design including design equations. The second edition adds a new chapter on simulation and analysis which includes design equations for closed and vented type speakers. The appendices contain technical references, design aids, glossaries and a chart depicting 18 different loudspeaker enclosure types. The author is a physicist/audio design engineer with over 35 years experience in the research and development of audio products spanning both hardware and software. His WinSpeakerz, TrueRTA and DATS software applications are widely used throughout the audio industry as tools for simulating and measuring loudspeaker performance. Captain Murphy served as a space systems analyst for NORAD during his military career. Changes for the Second Edition: The second edition brings new material and polishes the first edition with many new or improved illustrations. Chapter 2 was expanded with the second half split into a new Chapter 3 titled "Speaker Response Functions." The discussion of Thiele-Small parameters has been expanded and now covers small-signal parameters vs. large-signal parameters as it explores the role of the test signal level in parameter measurement. The crossover design chapter has been expanded to include formulas for calculating component values for the most popular crossover types. Equations have been added for calculating impedance compensation and attenuation networks. The old Chapter 7 FAQ material was integrated into other chapters as appropriate. A new Chapter 8 titled "Loudspeaker Simulation" has been added and introduces loudspeaker equivalent circuit analysis with equations for calculating the magnitude and phase responses of closed and vented loudspeaker systems. Additional design equations are introduced and then examples are given for calculating the responses of a closed box and a vented box loudspeaker. Detailed design equation summaries are given for closed and vented boxes. Appendix C was added to provide a glossary of symbols and a glossary of terms. The box type charts were moved to Appendix D.

In this book, Geoff Hill demonstrates modern software and hardware being applied to the processes behind loudspeaker design and modelling. Modern computing power has progressed to the point that such analyses are now practical for any interested individual or small company. Loudspeaker Modelling and Design: A Practical Introduction examines the process from initial concept through specifications and theoretical simulations and onto detailed design. It demonstrates the processes of design and specification, by using detailed simulations of a loudspeaker driver; sufficient to give re-assurance that a design is practical and will perform as expected.This book brings together many different strands of modelling from electro-magnetic through to mechanical and acoustic, without getting bogged down in theoretical discussions and arguments. This practice-based book shows the techniques used in designing modern loudspeakers and transducers.

Loudspeakers: For Music Recording and Reproduction, Second Edition is a comprehensive guide, offering the tools and understanding needed to cut out the guesswork from loudspeaker choice and set-up. Philip Newell and Keith Holland, with the assistance of Sergio Castro and Julius Newell, combine their years of experience in the design, application, and use of loudspeakers to cover a range of topics from drivers, cabinets, and crossovers, to amplifiers, cables, and surround sound. Whether using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post-production facility, home, or musician’s studio, or if you simply aspire to improve your music-production system this book will help you make the right decisions. This new edition provides significant updates on the topics of digital control, calibration, and cinema loudspeaker systems.

With this book, anyone can become a speaker builder. You don't need an elaborate workshop, expensive analytical equipment, or sophisticted software. Learn the concepts you need or chhose any of the eleven tested and proven speaker designs included in the book. Contains all the information the speaker builder needs to design and build a first-rate system, one that surpasses higher-cost commercial products.

Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.