The history of dancing in liturgy ... models for using dance in the eucharist ... and examples of dance consistent with the church year. How to dance. Why to dance. And how dance fits into liturgy. Kane's easy-to-follow format lets you choose the right movement for different parts of worship, much as you would choose the right music. VerEecke shares his personal account as a dancer - a theologian's conception of his art. Gagne provides a historical look at dance in worship and a chronology of the events which have shaped attitudes toward dance. Includes suggested gestures for danced prayer, step-by-step dance movements for use in your church, and many photographs. Inspiring. Informative. Easily reachable. A practical guide - with scholarship to back it up. -- from back cover.

REVISED EDITION: It is important that dancers begin to contend for the higher calling of God and move past the normal and the ordinary. It

Dancing before the Lord is an integral part of praising God, says dancer and international speaker Aimee Kovacs. In Dancing Into the Anointing you'll learn about the prophetic dance and how dancing was used in worship in the Old Testament. You can also find out how to start a dance team at your church, and much more!

A working guide for students conducting theological writing and research on theology and biblical studies courses, this book integrates the disciplines of writing, rhetoric, and theology, to provide a standard text for the teaching and mentoring of writing across the theological curriculum.As a theological rhetoric, it also encourages excellence in theological writing in the public domain by helping to equip students for their wider vocations as writers, preachers, and communicators in a variety of ministerial and professional contexts. This 2nd Edition includes new chapters on 'Writing Theology in a New Language', which explores the linguistic and cultural challenges of writing theology well in a non-native language, and 'Writing and Learning Theology in an Electronic Age', addressed to distance learning students learning to write theology well from online courses, and dealing with the technologies necessary to do so.

Dance, throughout history, has been an integral part of various cultures, peoples, nations and celebrations. Praise Dance, as a ministry vehicle, is not just dance (by societal definitions) to a specific genre of music. It is not for a set group of persons who studied under a certain dancer or dance style. Nor is it for those who have the most technical abilities or the ability to remember and execute a series of movements on beat and in rhythm. Praise dance, as a ministry grace, is simply an expression of movement used to communicate with God and to communicate God's heart to His people. It is the sight of God's message. It communicates the Gospel of Jesus Christ in a way that may not be received or understood through the hearing of the Gospel. Praise Dance is used to praise, pray, preach, teach, evangelize, prophesy, minister, heal and set the atmosphere to bring forth signs, wonders and miracles. Praise Dance, as a ministry grace, is ministry of God's Word through movement.

PROPHETIC DANCES BRING ANSWERS AND ILLUMINATION! In her latest book, Utterances Unspoken, Kimberly Brown-Phillips, who is a pioneer in worship arts delivers to us a series of powerful insights on prophetic dance. Whether you are a seasoned prophetic dancer or just entering into the prophetic arts, this book will provide prophetically driven revelation based on biblical truths that will move you from glory to glory! ABOUT THE AUTHOR Kimberly Brown-Phillips is a global worship and prophetic arts influencer and educational strategist. As a trained dancer, former worship leader, and executive administrative professional, she uses her background to fuel her missional and apostolic approach to ministry. She is a certified Dance Instructor, certified Life Coach & published author. Kimberly was called into leadership as a young adult and for over 20 years, she has been serving in local churches. In 2000, she founded Christ Center for Dance, a worship & prophetic arts educational organization with students and graduates all around the world. Her ministry is marked by passionate intercessory prayer, prophetic theoretical teaching, and an apostolic intensity. With the love and support of her husband, Kimberly is an example of how God can transform a life that is surrendered to Him.

This revised edition of the popular textbook on worship by renowned hymn writer and professor Ruth C. Duck provides theological foundations for worship and explores the ways Christians have adapted worship to various cultures to help them live faithfully and to communicate the gospel to others. The author celebrates the many languages and cultural settings in which the gospel has been, and is, preached, sung, and prayed. The goal of this volume is to support good pastoral and congregational reflection on what worship is and does. Consequently, Duck discusses many different forms of worship from several cultures (African American, Asian, Euro-American) and offers advice on how to read a congregation and define its culture in order to plan culturally appropriate worship. She includes many practical suggestions for preparing and leading worship, including diverse ministries of music, movement, and visual arts that are becoming more popular today. From worship's theological underpinnings, the book turns to worship leadership, forms of prayer, preaching, the sacraments, ordination, and various other liturgies. Because of its emphasis on vital and Spirit-led worship, this comprehensive book on Christian worship will be used in years to come, not only as a core textbook for seminarians and ministry students from a variety of cultures and traditions but also as a resource for local church pastors and laity who are dedicated to the enlivening of Christian worship. In this new edition, Duck updates and expands the recommended resources, updates the section on worship trends, enhances the section on multicultural worship, and revises marriage information based on cultural and denominational changes. Highlights include stories of four churches that are developing creative ways to grow and meet the possibilities and challenges of these times, especially in seeking justice, serving people in their neighborhood, and building bridges among cultures and religious groups. In addition, a new appendix by David Gambrell addresses the theological and practical questions surrounding online worship in the context of the Covid-19 pandemic and beyond.