Azerbaijan is a country located at the crossroads of Eastern Europe and Western Asia. It is bordered by Russia to the north, Georgia to the northwest, Armenia to the west, Iran to the south, and the Caspian Sea to the east. Azerbaijan has a rich history and has been inhabited by various peoples and empires throughout its history. The country gained independence from the Soviet Union in 1991 and has since undergone significant political and economic reforms. Azerbaijan is known for its oil and natural gas reserves, which have helped fuel its economic growth. The capital of Azerbaijan is Baku, a city famous for its oil industry and the iconic Flame Towers. Other major cities include Ganja, Sumgait, and Mingachevir. The official language of Azerbaijan is Azerbaijani, although Russian and English are also widely spoken. The majority of the population is Muslim, but the country is known for its religious tolerance and the coexistence of various religious communities. Azerbaijan is a member of several international organizations, including the UN, the Council of Europe, and the Non-Aligned Movement.

This textbook, "The History of Azerbaijan" was written in accordance with the existing academic-thematic programme in this area of study. The history of the country is described starting from ancient times to the beginning of the 21st century. The maps in this book were originally published in the work "The Historical Geography of Azerbaijan" (Baku, 1986). This textbook is intended for students, lecturers and non-specialists working in the educational system as well as for the general reader with an interest in Azerbaijan.

Dictionary of places, people and events in Azerbaijan history.

Published in association with the Stockholm International Peace Research Institute.

This new edition of The Caucasus is a thorough update of an essential guide that has introduced thousands of readers to a complex region. Armenia, Azerbaijan, Georgia and the break-away territories that have tried to split away from them constitute one of the most diverse and challenging regions on earth, impressing the visitor with their multi-layered history and ethnic complexity. Over the last few years, the South Caucasus region has captured international attention again because of disputes between the West and Russia, its unresolved conflicts, and its role as an energy transport corridor to Europe. The Caucasus gives the reader a historical overview and an authoritative guide to the three conflicts that have blighted the region. Thomas de Waal tells the story of the "Five-Day War" between Georgia and Russia and recent political upheavals in all three countries. He also finds time to tell the reader about Georgian wine, Baku jazz and how the coast of Abkhazia was known as "Soviet Florida." Short, stimulating and rich in detail, The Caucasus is the perfect guide to this fascinating and little-understood region.

This brief but informative book is one of the first works by the 20th century Azerbaijani historians. The author describes the rich and turbulent history of Azerbaijan covering essentially all major periods of the Azerbaijani history: ancient times, various Azerbaijani Turkic dynasties in the Middle Ages, Independent Khanates and the events preceding the establishment of the Azerbaijani Democratic Republic, the first Turkic and Muslim republic in history.

This book traces the development of Azerbaijani art music from its origins in the Eastern, modal, improvisational tradition known as mugham through its fusion with Western classical, jazz, and world art music. Aida Huseynova places the fascinating and little-known history of music in Azerbaijan against the vivid backdrop of cultural life under Soviet influence, which paradoxically both encouraged and repressed the evolution of national musics and post-Soviet independence. Inspired by their neighbors to the East and West, Azerbaijani musicians enjoyed a period of remarkable creativity, composing and performing the first opera and the first ballet in the Muslim East, establishing the region's first Opera and Ballet Theater and Conservatory of Music, and discovering ways to merge the modal lyricism of mugham with the rhythmic dynamics of jazz. Drawing on previously unstudied archives, letters, and documents as well as her experience as an Azerbaijani musician and educator, Huseynova shows how Azerbaijani musical development was not a product of Soviet cultural policies but rather grew from and reflected deep and complex cultural processes.