Stoicheiosis Astronomike ('Elements of Astronomy') is a late Byzantine comprehensive introduction to Astronomy. It was written by an outstanding figure in Byzantine culture and politics, who served also as prime minister. This volume makes available for the first time a large part of its astronomical contents, offering the original text with an English translation, accompanied by an introduction and analysis.This book describes the celestial spheres, the rotation of the planets, and especially the apparent trajectory of the sun with its uniform and anomalous rotations, which are used to determine the length of the year. Metochites proposed a new starting date for the calendar (6th of October 1283) specifying the position of the sun on that date. The work revived the interest in studies of Ptolemaic astronomy as attested by numerous annotations in the margins of the manuscripts.Besides its astronomical content there are statements on the epistemological method and other issues elucidating the spirit of that age. It will be of interest as an introduction to Byzantine astronomy for historians of science and philosophy, for astronomers, and those interested in the development of calendars.

The statesman and scholar Theodore Metochites was one of the most important personalities of the fourteenth-century Byzantine Empire. A close advisor to the emperor Andronikos II and restorer of the famous monastery of Chora in Constantinople, Metochites left various writings including orations, poems, essays and commentaries on classical and religious texts, in which he discusses the numerous problems that troubled him and his contemporaries, such as the decline of the state and the tension between public life and that of the philosopher. In this book, Ioannis Polemis provides the first in-depth study of Metochites' oeuvre, revealing the complex way he represented the authorial self to critique the politics and mores of his day, whilst at the same time shielding himself from potential criticism. Polemis details the way Metochites deftly manipulated figures and tropes from classical antiquity and early Christianity to justify his role in public life, which was traditionally shunned by scholars in the pursuit of 'logos'. The book provides unique insights into one of the late Empire's most important figures, as well as more widely deepening our understanding of classical reception in Byzantium and the social, political and intellectual climate of Constantinople in the fourteenth century.

Focuses on the scholarly interests of the intellectual elites during the last two centuries of Byzantium and the cultural environment in which they flourished, as well as the interaction between secular and church circles in Constantinople, Thessaloniki, Athos and beyond.

This book offers new insights into a largely understudied group of Greek texts preserved in selected manuscripts from the Library at Wellcome Collection, London. The content of these manuscripts ranges from medicine, including theories on diagnosis and treatment of disease, to astronomy, philosophy, and poetry. With texts dating from the ancient era to the Byzantine and Ottoman worlds, each manuscript provides its own unique story, opening a window onto different social and cultural milieus. All chapters are illustrated with black and white and colour figures, highlighting some of the most significant codices in the collection.

Revision of the author's thesis (doctoral)--G'oteborg, 2003.

Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.

The present volume is a Festschrift in honour of the distinguished Byzantinist Costas N. Constantinides. The title of the volume, Bibliophilos: Books and Learning in the Byzantine World, reflects Professor Constantinides’ major contribution to the fields of Greek palaeography, editions of Byzantine texts, Byzantine history, scholarship and education, and Cypriot manuscripts and culture. The volume is introduced by a preface and a tabula gratulatoria dedicated to the honorand, followed by twenty articles, written by seasoned and younger scholars, who are former colleagues and students of Professor Constantinides. These articles, which appear in alphabetical order, offer new material and shed fresh light to the study of Greek manuscripts, binders and scribes, and the life, works and activities of Byzantine scholars, teachers and students, providing editions of unpublished texts, including letters and poems, and exploring various aspects of Byzantine and Cypriot history, literature, art, science and culture. In the process the authors often challenge earlier views and offer new interpretations and insights. Bibliophilos is a book for the student, teacher and scholar of Byzantium in particular, and for every bibliophile in general.