The history of dancing in liturgy ... models for using dance in the eucharist ... and examples of dance consistent with the church year. How to dance. Why to dance. And how dance fits into liturgy. Kane's easy-to-follow format lets you choose the right movement for different parts of worship, much as you would choose the right music. VerEecke shares his personal account as a dancer - a theologian's conception of his art. Gagne provides a historical look at dance in worship and a chronology of the events which have shaped attitudes toward dance. Includes suggested gestures for danced prayer, step-by-step dance movements for use in your church, and many photographs. Inspiring. Informative. Easily reachable. A practical guide - with scholarship to back it up. -- from back cover.

Dancing For Him is a helpful handbook about dancing for the Lord during praise and worship, ministry, and gospel presentations. Written from a dance team leader's perspective, the topics include:Dance During Praise SongsDance During WorshipTeam UnityMinistering LoveMinistering DeliveranceMinistering PropheticallyPerformance Vs. MinistryChoreography TipsSuccessful RehearsalsOld and New Testament words relating to praise through movement (along with the associated scriptures)It contains great testimonies, and is wonderful for someone just starting a dance team, as well as for one more experienced.People have said, "I wish I had this book before starting in dance ministry. It certainly would have helped."Also, many dance leaders order one copy for each member of their team, so they may have weekly studies.

Worship sets an assembly in motion movement towards God in response to God's movement towards humans thus creating a resilient and caring community. Worship as Body Language brings the African community's experience of the body and its gestures together with the Christian liturgy, since worship and social action are closely related. The body language" or gestures of praise, adoration, contemplation, ritual dance, and care of the neighbor are meaningful to the ethnic group; African Christians tune into these body motions to express the one Christian faith. In Worship as Body Language, Father Uzukwu details how patterns of African ritual assemblies and sacred narratives have merged with Jewish, gospel, and early Church traditions to create living Christian communities and liturgies. Using a socio-historical method, this book sheds new light on liturgical action and theology, and suggests more transition rituals. It also provides samples of emergent African Christian liturgies that emphasize intense community participation with appropriate gestures. These local liturgies attest to the patristic principle that different customs actually confirm the unity of our faith in Christ. Scholars teaching and researching the foundations of the liturgy and liturgical inculturation, graduate students, and those organizing workshops on the regional, diocesan, or parish level will find Worship as Body Languagea ready handbook on the liturgy. It is also a useful textbook for introducing college students and seminarians to the anthropological, historical, and theological dimensions of the liturgy. Elochukwu E. Uzukwu, CSSp, ThD, lectures in liturgy and African theology in seminaries and Catholic universities in Nigeria, Congo, Zaire, and France. He is the author of Liturgy: Truly Christian, Truly African,and the editor of Bulletin of Ecumenical Theology. "

"First published in 1985, this pioneering work on religious dance was written in response to the paradoxical attitude of many Christians who express an interest and enthusiasm for the arts as part of Christian worship, yet retain a suspicion, even a dislike, of dance. Dance and the Christian Faith examines what the bible says about both dance and worship, and relates it to an understanding of what dance is and how it can be used in the church and in education today. Martin Blogg relates his faith to his profession of teaching dance drama and his non-verbal approach to Christian dance opens up new avenues for the expression of the faith, complementing the more traditional forms of speech, music and sacrament. The book is a critical discussion, both theoretical and practical, of the nature and conditions of religious dance, as explored through the disciplines of scripture, education and dance as art. At the same time, Dance and the Christian Faith is a call for Christians to embrace dance as a means to prayer and worship, outreach and renewal. Although centred on dance within a religious context, much of the discussion is directly relevant to dance education and the performing arts in general. With a Foreword by the Rt Revd Maurice Wood, former Bishop of Norwich."

Liturgical dance is a way to present, reflect, instruct, learn, study, and share religious beliefs with one’s self, within one’s worship community, and with one’s God. Such a belief is confirmed and witnessed within a variety of religious settings throughout the world from the beginning of time to this present age. However, there is a vacuum of resources that connect liturgical dance within the Christian context as a tool for religious learning within the field of religious education. With the continual rise of liturgical dance as an artistic form of expression, this book proposes that liturgical dance offers unique attributes conducive to the teaching and learning of faith and to faith formation. Kathleen S. Turner shows how liturgical dance is religious education in two very important ways: first, by addressing the power and potential liturgical dance has in nourishing the faith life of Christian congregants through means that are both educative and reflective; and second, by giving examples of how liturgical dance can be implemented as a religious-education tool within the teaching life of the church.

An Important Study on the Worship of the Early Church This introduction to the origins of Christian worship illuminates the importance of ancient liturgical patterns for contemporary Christian practice. Andrew McGowan takes a fresh approach to understanding how Christians came to worship in the distinctive forms still familiar today. Deftly and expertly processing the bewildering complexity of the ancient sources into lucid, fluent exposition, he sets aside common misperceptions to explore the roots of Christian ritual practices--including the Eucharist, baptism, communal prayer, preaching, Scripture reading, and music--in their earliest recoverable settings. Now in paper.

Release the Kingdom through Dance! You can experience God’s presence and healing power through dance. Encountering God Through Dance equips believers to worship Jesus in wholehearted devotion—to express love without fear or shame. What people are saying: Encountering God Through Dance is the wonderful journey of a radical lover of God…and a manual for instruction and inspiration. —Bill Johnson, Senior Pastor, Bethel Church This is by far the most refreshing book I have read in a long time. Saara Taina has given her life to a core area of life that is far too marginalized in many churches. —Marc A. Dupont, Mantle of Praise Ministries, Inc. Rarely do you see a book that offers passion, testimonies, and biblical expertise so that others can be fully equipped. —Theresa Dedmon, Director of Prophetic Arts, Bethel Church We have personally experienced the breakthrough power of the dance many, many times in Succat Hallel, our 24/7 worship room that overlooks Mount Zion in Jerusalem. —Rick and Patti Ridings, Succat Hallel The author’s personal journey of devotion through dance has taken her worldwide. She wraps her exciting travels with a solid biblical framework for the importance of dance in the Kingdom of God—on earth, today!