A long-overdue reassessment of post-1918 Salzburg as a distinct Austrian cultural hub that experimented in moving beyond war and empire into a modern, self-consciously inclusive, and international center for European culture. For over 300 years, Salzburg had its own legacy as a city-state at an international crossroads, less stratified than Europe's colonial capitals and seeking a political identity based in civic participation with its own economy and politics. After World War I, Salzburg became a refuge. Its urban and bucolic spaces staged encounters that had been brutally cut apart by the war; its deep-seated traditions of citizenship, art, and education guided its path. In Interwar Salzburg, contributors from around the globe recover an evolving but now lost vanguard of European culture, fostering not only new identities in visual and performing arts, film, music, and literature, but also a festival culture aimed at cultivating an inclusive public (not an international elite) and a civic culture sharing public institutions, sports, tourism, and a diverse spectrum of cultural identities serving a new European ideal.

Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. Contributors: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee.

The collapse of the Habsburg monarchy in 1918 galvanized discussion about national identity in the new Republic of Austria. As Robert Pyrah shows in this thoroughly documented study, the complex identity politics of interwar Austria were played out in the theatres of Vienna, which enjoyed a cultural prominence rarely matched in other countries. By 1934, productions across the city were being co-opted to serve the newly patriotic cause of the Dollfuss and Schuschnigg regimes, and the Burgtheater, once known as the ‘first German stage’, had been transformed into a ‘national theatre for Austria’. Using case studies of key productions and a wealth of previously unseen archival material, Pyrah sheds new light on artistic and ideological developments throughout the period, including the neglected earlier years. He documents previously unexplored overlaps in the cultural programmes of Left and Right, and unearths evidence that key institutions were subverted by the Right well before the suspension of parliamentary rule in 1933.

How the demise of the Habsburg Empire, postwar sovereignty, and new diplomatic frontiers shaped the nature of citizenship, identity, and belonging across Europe This book is a collective portrait of twenty-one key statesmen who came of age during the Habsburg Empire. They include the cofounder of Austro-Marxism and the Austrian republic's first foreign minister, the cofounder of the European Union after the Second World War, the founder of the Communist Party of Czechoslovakia, and Mussolini's ambassador to Vienna. Some survived the First World War and the resulting geographical divisions in their homelands, and some went on to serve in politics and governments throughout Europe. Taken together, the stories of these men offer readers a window on broad issues of European history in the late nineteenth and early twentieth centuries--chiefly, how an imperial heritage, a shared vision of statehood and nationalism, and a commitment to peaceful conflict resolution helped establish enduring loyalty and unity despite the geographical fault lines resulting from the war. As Iryna Vushko explains, their stories also offer an increasingly nuanced understanding of the achievements and failures of the Habsburg Empire.

This book is about the ideas and policies that characterised the rightward trajectory of Austrofascism in the 1930s. It is the first major Anglophone study of Austrofascism in over two decades and provides a fresh perspective on the debate over whether Austria was an authoritarian or fascist state. The book is designed to introduce specialists, general scholars of fascism, and undergraduate students of interwar Austrian and Central European history, to the range of issues confronting Austrian policy and opinion makers in the years prior to the Anschluss with Nazi Germany. The book makes an original contribution to studies of interwar Austria by introducing several new case studies, including press and propaganda, minority politics, regionalism, immigration and refugees, as the issues that shaped Austria’s political culture in the 1930s. Its arguments and findings will be of value for scholars as well as students of interwar fascism and twentieth-century Austrian and Central European history.

Folk dancer, forester, poet and visionary, Rolf Gardiner (1902-71) is both a compelling and troubling figure in the history of twentieth-century Britain. While he is celebrated as a pioneer of organic farming and co-founder of the Soil Association, Gardiner's organicist outlook was not confined to agriculture alone. Convinced that a healthy culture and society could only flourish when it was rooted in the soil, Gardiner sought national regeneration too. One of the most colourful and controversial figures of the interwar period, Gardiner believed Britain's future lay not with its doomed empire, but in ever closer union with its 'kin folk, kin tongued' neighbours in Germany, the Netherlands and Scandinavia. Fascinated by the Weimar Republic's myriad youth leagues and life reform movements, Gardiner became an important conduit between North Sea and Baltic. Yet while an enthusiasm for hiking, nudism, folk dancing and voluntary labour camps must have appeared harmlessly eccentric to many in 1920s Britain, by the late-1930s Gardiner's continued engagement with Germany was to have altogether darker connotations. This volume, which brings together seven scholars currently working on different aspects of Gardiner's life and work, eschews a straightforwardly biographical approach and instead focuses on the decades when he was at his most dynamic and radical. Situating Gardiner within the wider political and cultural contexts of the interwar years and exploring youth culture, the origins of the organic movement, Anglo-German relations and British cultural history, it is an essential addition to modern history libraries.

Reinhold Wagnleitner argues that cultural propaganda played an enormous part in integrating Austrians and other Europeans into the American sphere during the Cold War. In Coca-Colonization and the Cold War, he shows that 'Americanization' was the result not only of market forces and consumerism but also of systematic planning on the part of the United States. Wagnleitner traces the intimate relationship between the political and economic reconstruction of a democratic Austria and the parallel process of cultural assimilation. Initially, U.S. cultural programs had been developed to impress Europeans with the achievements of American high culture. However, popular culture was more readily accepted, at least among the young, who were the primary target group of the propaganda campaign. The prevalence of Coca-Cola and rock 'n' roll are just two examples addressed by Wagnleitner. Soon, the cultural hegemony of the United States became visible in nearly all quarters of Austrian life: the press, advertising, comics, literature, education, radio, music, theater, and fashion. Hollywood proved particularly effective in spreading American cultural ideals. For Europeans, says Wagnleitner, the result was a second discovery of America. This book is a translation of the Austrian edition, published in 1991, which won the Ludwig Jedlicka Memorial Prize.