This book explores the recall of the Victorians, displayed by select novels ranging in time from Rhys s Wide Sargasso Sea (1996) to A. S. Byatt s Possession: A Romance (1990). These Victorianist novels are complex studies of Victorian literature, society and modes of representation.

Papers presented at a two day national seminar on "Globalization : a challenge to educational management."

Through an examination of texts from diverse periods and media, Gothic Mash-Ups explores the role that appropriation and intertextuality play in Gothic storytelling. Building on recent scholarship on Gothic remix and adaptation, the contributors demonstrate that the Gothic is a fundamentally hybrid genre.

The poetics of intertextuality proposed in this book, based mainly on semiotics, elucidates factors determining the socio-historically elusive border between general intertextuality and citationality, and explores modes of intertextual representation.

Women's Literary Portraits in the Victorian and Neo-Victorian Novel is a dialogical and intertextual journey through the pages of nineteenth-century novels and their modern, revisionary counterparts. It is the book not only dedicated to the readers associated with academia, but also to all literature enthusiasts, students of literature, and those readers who are fascinated by the Victorian novel, as well as by its current neo-Victorian revival. The focus of this work revolves around the literary portrayals of Victorian and neo-Victorian women who, as the authoress believes, are located in the centre of socio-cultural and historical narratives shaping both the past and the present. Nineteenth-century narratives concerning women's placement and status in the Victorian social landscape are currently revived on the pages of neo-Victorian novels, thus attesting to the unceasing interest in the bygone. While neo-Victorian revisionary fiction endows nineteenth-century women with a redemptive potential, it also exposes modern paradoxes and ambiguities connected with universal expectations towards women, what further approximates our contemporaneity to the Victorian past. While examining these socio-cultural ambivalences, the authoress celebrates Victorian and neo-Victorian women characters in their attempts to thrive as individuals. Consequently, the book studies Victorian and neo-Victorian women characters in relation to their identities, unique voices and textual garments.

Is ventriloquism just for dummies? What is at stake in neo-Victorian fiction's desire to 'talk back' to the nineteenth century? This book explores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.

Dante beyond influence is the first study to conceptualise and historicise the hermeneutic turn in Dante reception history and Victorian cultural history, charting its development across intellectual realms, agents and forms of readerly and writerly engagement. Unearthing previously unseen manuscript and print evidence, the book conducts a material and book-historical inquiry into the formation and popularisation of the critical and scholarly discourse on Dante through Victorian periodicals, mass-publishing, traditional and Extramural higher education. The book demonstrates that the transformation of Dante from object of amateur interest (dantophilia) to subject of systematic interpretive endeavours (dantismo) reflected paradigmatic changes in Victorian intellectual and socio-cultural history.