Interrogating the Image argues that movies examining the role film and television plays in the lives of their audience have created changes both in the movies themselves and in their viewers, and considers fourteen films where the moving picture is central to the narratives. Three films discussed--The Purple Rose of Cairo, Pleasantville, and The Truman Show--offer frame-breaking experiences for their characters that allow spectators to appreciate the ruptures between lived reality and media-play, delivering therapeutic payoffs that can be restorative, reconstructive, or rejective. Other examples come from the worlds of cinema (The Majestic, Matinee, Cinema Paradiso), television (Bamboozled, Network, Natural Born Killers, Medium Cool), and the sociopolitical realm where media dominates (Being There, Wag the Dog, Bob Roberts, Bulworth). Meanwhile, significant interpretive stances--reflective/reflexive, critical, and ironic--are engendered and embraced by filmmakers and audiences who create and consume these works. The result is a media-saturated culture, in transformation and best understood using cinema's interrogative resources.

How children and popular culture perceive the teacher.

Police interrogation attracts debate and controversy around the world. Audio-visual recording is widely regarded as a panacea for problems in police questioning of suspects. Interrogating Images presents the first empirical study of the routine use of audio-visual recording anywhere in the world, focusing on New South Wales, Australia where such recording has been required for more than a decade. Its introduction is set in a historical account of disputes and concerns about police questioning of suspects. There is a detailed study of the participants in the interrogation process. Various styles of police interviewing are identified, showing that many assumptions about the nature and purpose of interrogation are inaccurate. A chapter assesses the impact in NSW of ‘investigative interviewing’, a questioning style very different from that used in the USA. The penultimate chapter examines the experiences and perceptions of criminal justice professionals – judges, defence lawyers, prosecutors, and police. Interrogating Images concludes by pointing to some dangers of misusing audio-visual recording. If the complete questioning process is not recorded, confessions may be rehearsed and unreliable. A second danger is the misreading of images, particularly by those who overestimate their ability to identify deception from a suspect’s ‘body language’. Audio-visual recording can be a useful tool, but it must be one part of a broader process of effectively regulating investigative practices. Interrogating Images is informative and thought provoking reading for lawyers, police investigators, academic researchers, policy-makers, legislators, students and those with an interest in police interrogation and its implications for criminal justice processes.

After a lone trip to Chernobyl in 2005, Donald Weber returned to the abandoned site of the nuclear disaster and spent the next six years in Russia and Ukraine photographing the ruins of the unstoppable storm we call history. Traveling and living with ordinary people who had endured much, and survived everything. Weber began to see the modern state as a primitive and bloody sacrifical rite of unnamed power. INTERROGATIONS is the result of his personal quest to uncover the hidden meaning of the bloody 20th century. In dialogue with writer Larry Frolick - whose own ancestors had been decimated in the final months of WW II - Weber insistently and provocatively addresses his questions both to the living survivors and to the ghosts of the State's innumerable victims, resurrecting their final hours by taking their point of view, and performing a kind of incantatory meditation over their private encounters with power. The policeman, working girls, thugs, dissidents and hustlers who inhabit these pages are all orphans of a secret history; the outline of our collective fate takes shape in Weber's epic work, expanding our awareness of what it means to be an actor in today's dark opera.

Just what is a picture worth? Qualitative research is dominated by language. However, researchers have recently shown a growing interest in adopting an image-based approach. This is the first volume dedicated to exploring this approach and will prove an invaluable sourcebook for researchers in the field. The book covers a broad scope, including theory and the research process; and provides practical examples of how image-based research is applied in the field. It discusses use of images in child abuse investigation; exploring children's drawings in health education; cartoons; the media and teachers.

Introduction : mapping orientalism : representations and pedagogies / Diane Long Hoeveler and Jeffrey Cass -- Interrogating orientalism : theories and practices / Jeffrey Cass -- The female captivity narrative : blood, water, and orientalism / Diane Long Hoeveler -- "Better than the reality" : the Egyptian market in nineteenth-century travel writing / Emily A. Haddad -- Colonial counterflow : from orientalism to Buddhism / Mark Lussier -- Homoerotics and orientalism in William Beckford's Vathek: liberalism and the problem of pederasty / Jeffrey Cass -- Orientalism in Disraeli's Alroy / Sheila A. Spector -- Teaching the quintessential Turkish tale : Montagu's Turkish embassy letters / Jeanne Dubino -- Representing India in drawing-room and classroom : or, Miss Owenson and "those gay gentlemen, Brahma, Vishnu, and Co." / Michael J. Franklin -- "Unlettered tartars" and "torpid barbarians" : teaching the figure of the Turk in Shelley and De Quincey / Filiz Turhan -- "Boundless thoughts and free souls" : teaching Byron's Sardanapalus, Lara, and The corsair / G. Todd Davis -- Byron's The giaour : teaching orientalism in the wake of September 11 / Alan Richardson -- Teaching nineteenth-century orientalist entertainments / Edward Ziter

Particle image velocimetry, or PIV, refers to a class of methods used in experimental fluid mechanics to determine instantaneous fields of the vector velocity by measuring the displacements of numerous fine particles that accurately follow the motion of the fluid. Although the concept of measuring particle displacements is simple in essence, the factors that need to be addressed to design and implement PIV systems that achieve reliable, accurate, and fast measurements and to interpret the results are surprisingly numerous. The aim of this book is to analyze and explain them comprehensively.