The study of religions is essential for understanding other cultures, building a sense of belonging in a multicultural world and fostering a global intercultural dialogue. Exploring Chinese religions as one interlocutor in this dialogue, Diana Arghirescu engages with Song-dynasty Confucian and Buddhist theoretical developments through a detailed study of the original texts of the Chan scholar-monk Qisong (1007-1072) and the Neo-Confucian master Zhu Xi (1130-1200). Starting with these figures, she builds an interpretive theory focusing on “ethical interrelatedness” and proposes it as a theoretical tool for the study of the Chinese religious traditions. By actively engaging with other contemporary theories of religion and refusing to approach Chinese religions with Western frameworks, Arghirescu's comparative perspective makes it possible to uncover differences between the various Western and Chinese cultural presuppositions upon which these theories are built. As such, this book breaks new ground in the methodology of religious studies, comparative philosophy and furthers our understanding of the Confucian-Buddhist interaction.

Chinese Buddhists have never remained stationary. They have always been on the move. In Monks in Motion, Jack Meng-Tat Chia explores why Buddhist monks migrated from China to Southeast Asia, and how they participated in transregional Buddhist networks across the South China Sea. This book tells the story of three prominent monks Chuk Mor (1913-2002), Yen Pei (1917-1996), and Ashin Jinarakkhita (1923-2002) and examines the connected history of Buddhist communities in China and maritime Southeast Asia in the twentieth century. Monks in Motion is the first book to offer a history of what Chia terms "South China Sea Buddhism," referring to a Buddhism that emerged from a swirl of correspondence networks, forced exiles, voluntary visits, evangelizing missions, institution-building campaigns, and the organizational efforts of countless Chinese and Chinese diasporic Buddhist monks. Drawing on multilingual research conducted in Indonesia, Malaysia, Singapore, China, Hong Kong, and Taiwan, Chia challenges the conventional categories of "Chinese Buddhism" and "Southeast Asian Buddhism" by focusing on the lesser-known--yet no less significant--Chinese Buddhist communities of maritime Southeast Asia. By crossing the artificial spatial frontier between China and Southeast Asia, Monks in Motion breaks new ground, bringing Southeast Asia into the study of Chinese Buddhism and Chinese Buddhism into the study of Southeast Asia.

This accessible history of Confucianism, or the 'Way of the Ru', emphasizes the religious dimensions of the tradition. It clearly explains the tradition's unique and subtle philosophical ideals as well as the 'arts of the Ru' whereby seemingly simple acts such as reading, sitting quietly, good manners, and attending to family and state responsibilities, became ways of ultimate transformation. This book explains the origins of the Ru and documents their impact in imperial China, before providing extensive coverage of the modern era. Confucianism in China: An Introduction shows how the long history of the Ru is vital to comprehending China today. As the empire drew to an end, there were impassioned movements both to reinvent and to eradicate Ru tradition. Less than forty years ago, it seemed close to extinction, but today it is undergoing spectacular revival. This introduction is suitable for anyone wishing to understand a tradition that shaped imperial China and which is now increasingly swaying Chinese religious, philosophical, political, and economic developments. The book contains a glossary of key terms and 22 images, and further resources can be found on the book's webpage http://www.bloomsbury.com/uk/confucianism-in-china-9781474242462/.

This study examines how political and legal disputes regarding the performance of death rituals contributed to shape a revival of Confucianism in eleventh-century Northern Song China.

We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The “lives” of objects are considered, along with the categories of “sacred” and “profane”, “religious” and “secular”. As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.

This is a comprehensive work on the religions of China. As such, it includes an introduction giving an overview of the subject, and the special themes treated in the book, as well as detailed chapters on ancient religions, Confucianism, Taoism, Buddhism, Chinese Islam, Christianity in China as well as popular religion. Throughout the book, care is taken to present both the philosophical teachings as well as the religious practices of the religious traditions, and reflections are offered regarding their present situation and future prospects. Comparisons are offered with other religions, especially Christianity.

In this book, Charles B. Jones provides the first English language translation of one of the most important texts of modern Chinese Buddhism: monk-reformer Taixu's 'On the Establishment of the Pure Land in the Human Realm'. The essay, written in 1926 as part of Taixu's attempt to revive Chinese Buddhism with a Humanistic Buddhist approach, incorporates Western thought into a reconstruction of the idea of the 'Pure Land in the human realm'. In his commentary on the text, Jones argues that it has been widely misunderstood and mischaracterized. Jones demonstrates that, besides laying out the very modern idea of the Pure Land in the human realm as a slogan for Buddhist engagement with the problems of the modern world, the essay does not, as commonly assumed, discourage practices leading to rebirth in the Pure Land. He also shows that the 'human realm' can mean anywhere in Buddhist cosmology that humans reside, and that the essay's attempts to reconcile Buddhism with modern science is tentative and incomplete. Jones reveals that the essay promotes visions of both paradises and utopias, and that Taixu supports his ideas with many lengthy sutra quotations. The book concludes with an examination of how Taixu's followers developed the idea of the Pure Land in the human realm into a more coherent and modernized ideal.