This volume provides a forum for debate between varied approaches to the past. The authors, drawn from Europe, North America, Asia and Australasia, represent many different strands of archaeology. They address the philosophical issues involved in interpretation and a desire among archaeologists to come to terms with their own subjective approaches to the material they study, a recognition of how past researchers have also imposed their own value systems on the evidence which they presented.

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Using 20 years of data from more than 600 ground-penetrating radar surveys, Lawrence Conyers provides the consumer of GPR studies with basic information on how to read and interpret GPR data for identifying subsurface remains and do cultural analysis.

As the editors note, "This volume includes many searching looks at the landscape, not just to understand ourselves, but to understand the context for other peoples' lives in other times, to unravel the landscapes they created and explain the meanings embedded in them.".

The Archaeology of Seeing provides readers with a new and provocative understanding of material culture through exploring visual narratives captured in cave and rock art, sculpture, paintings, and more. The engaging argument draws on current thinking in archaeology, on how we can interpret the behaviour of people in the past through their use of material culture, and how this affects our understanding of how we create and see art in the present. Exploring themes of gender, identity, and story-telling in visual material culture, this book forces a radical reassessment of how the ability to see makes us and our ancestors human; as such, it will interest lovers of both art and archaeology. Illustrated with examples from around the world, from the earliest art from hundreds of thousands of years ago, to the contemporary art scene, including street art and advertising, Janik cogently argues that the human capacity for art, which we share with our most ancient ancestors and cousins, is rooted in our common neurophysiology. The ways in which our brains allow us to see is a common heritage that shapes the creative process; what changes, according to time and place, are the cultural contexts in which art is produced and consumed. The book argues for an innovative understanding of art through the interplay between the way the human brain works and the culturally specific creation and interpretation of meaning, making an important contribution to the debate on art/archaeology.

Archaeology can shed light on the rise and fall of empires, the march of technology, the nature of past societies, the development of arts and culture, the course of warfare, and much more. Yet what gives it its greatest value is its ability to illuminate the area in which written records fall short - the everyday lives of ordinary people. Interpreting Archaeology uses a wide array of evidence, including artefacts as varied as humble ceramic pots, imposing monuments, and genetic data, to tell the human story from a new angle. Beginning with the discoveries that have reshaped our understanding of hominin evolution and the spread of Homo sapiens across the globe, Neil Faulkner has charted a fascinating journey through the past, taking in everything from the rise of the world's first great civilizations to the establishment of hierarchies, the development of art and religion, and the causes of warfare along the way.

Airborne Laser Scanning (ALS), or lidar, is an enormously important innovation for data collection and interpretation in archaeology. The application of archaeological 3D data deriving from sources including ALS, close-range photogrammetry and terrestrial and photogrammetric scanners has grown exponentially over the last decade. Such data present numerous possibilities and challenges, from ensuring that applications remain archaeologically relevant, to developing practices that integrate the manipulation and interrogation of complex digital datasets with the skills of archaeological observation and interpretation. This volume addresses the implications of multi-scaled topographic data for contemporary archaeological practice in a rapidly developing field, drawing on examples of ongoing projects and reflections on best practice. Twenty papers from across Europe explore the implications of these digital 3D datasets for the recording and interpretation of archaeological topography, whether at the landscape, site or artifact scale. The papers illustrate the variety of ways in which we engage with archaeological topography through 3D data, from discussions of its role in landscape archaeology, to issues of context and integration, and to the methodological challenges of processing, visualization and manipulation. Critical reflection on developing practice and implications for cultural resource management and research contextualize the case studies and applications, illustrating the diverse and evolving roles played by multi-scalar topographic data in contemporary archaeology.