Offering a significant contribution to the emerging field of 'Non-Religion Studies', Religion and Non-Religion among Australian Aboriginal Peoples draws on Australian 2011 Census statistics to ask whether the Indigenous Australian population, like the wider Australian society, is becoming increasingly secularised or whether there are other explanations for the surprisingly high percentage of Aboriginal people in Australia who state that they have 'no religion'. Contributors from a range of disciplines consider three central questions: How do Aboriginal Australians understand or interpret what Westerners have called 'religion'? Do Aboriginal Australians distinguish being 'religious' from being 'non-religious'? How have modernity and Christianity affected Indigenous understandings of 'religion'? These questions re-focus Western-dominated concerns with the decline or revival of religion, by incorporating how Indigenous Australians have responded to modernity, how modernity has affected Indigenous peoples' religious behaviours and perceptions, and how variations of response can be found in rural and urban contexts.

Over the last 25 years there has been an explosion of interest in the Aboriginal religions of Australia and this anthology provides a variety of recent writings, by a wide range of scholars. Australian Aboriginal Religions are probably the oldest extant religious systems. Over some 50,000 years they have coped with change and re-invented themselves in an astonishingly creative way. The Dreaming, the mythical time when the Ancestor Spirits shaped the territories of the Aborigines and laid down a moral and ritual law for their occupants, is the fundamental religious reality. It is the basis of the Aborigines's view of their land or country, kinship relationships, ritual and art. However, the Dreaming is not a static principle since it is interpreted in different ways, as in the extraordinary movement in contemporary indigenous painting, and in attempts at an accommodation with Christianity. The contributions of anthropologists, cultural historians, philosophers of religion and others are included in this anthology which not only guides readers through the literature but also ensures this still largely inaccessible material is available to a wider range of readers and non-specialist students and academics.

Yolngu religious practices are shrouded in ambiguity--people cooperate in common religious rituals while interpreting these rituals in entirely different manners. Keen draws on recent post-structuralist social theory to discuss this heterogeneity of culture and ritual. This original approach to interpreting the heterogeneous culture of the Yolngu will be of great interest to those studying multicultural societies outside Australia, particularly in the fields of comparative anthropology and religion.

Examines the reactions, attitudes and theoretical constructions of European explorers, missionaries and writers including Howitt, Spencer and Gillen, Lang, Frazer, Durkheim, Radcliffe-Brown, Warner, Stanner and Elkin.

Anthropologist W.E.H. Stanner is perhaps most well known for coining the phrase the 'great Australian silence', addressing the culture of denial or 'conscious forgetting' regarding the history Australia since European arrival. This reprint of On Aboriginal Religion pays tribute to the ongoing relevance of Stanner?s work. His research into Aboriginal religion was first published as a series of articles in the journal Oceania between 1959 and 1963. In 1963 the articles were published as the collection in as Oceania Monograph 11, which was later reprinted as a facsimile edition with introductory sections by Francesca Merlan and Les Hiatt (1989). As Stanner writes in his introduction to the 1963 collection, 'I thought I should take Aboriginal religion as significant in its own right and make it the primary subject of study, rather than study it, as was done so often in the past, mainly to discover the extent to which it expressed or reflected facts and preoccupations of the social order'. It is this dedication to recording the beliefs and observing the practice of Aboriginal religion that has made this monograph so important.

Generously illustrated in full colour, this book explores the varied responses by several Aboriginal artists, and groups of Aboriginal artists, across Australia to the Christian message, its relevance to their traditional culture and their firmly held beliefs. The result is a revealing insight into the depth of understanding of the Gospels by the artists and the important relevance this understanding has to Australian spirituality today.