West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the "New German Cinema." Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as "Daddy's Cinema." International Adventures provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment. International Adventures firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.

A comprehensive account of the popular German film industry of the 1960s, its main protagonists, and its production strategies. The book challenges traditional assumptions about this mode of film-making.

Anthropological interest in new subjects of research and contemporary knowledge practices has turned ethnographic attention to a wide ranging variety of professional fields. Among these the encounter with international development has perhaps been longer and more intimate than any of the others. Anthropologists have drawn critical attention to the interfaces and social effects of development’s discursive regimes but, oddly enough, have paid scant attention to knowledge producers themselves, despite anthropologists being among them. This is the focus of this volume. It concerns the construction and transmission of knowledge about global poverty and its reduction but is equally interested in the social life of development professionals, in the capacity of ideas to mediate relationships, in networks of experts and communities of aid workers, and in the dilemmas of maintaining professional identities. Going well beyond obsolete debates about ‘pure’ and ‘applied’ anthropology, the book examines the transformations that occur as social scientific concepts and practices cross and re-cross the boundary between anthropological and policy making knowledge.

When thousands of young people checked out of Western society and sought enlightenment in the East, Floyd and Sally McClung set aside the comforts of American suburbia and answered God's call to reach out to them with the gospel. In Kabul, Afghanistan, a key stop on the hippy trail, and later in Amsterdam, Holland, the West's own window to that trail, the McClungs committed themselves to meeting the penniless, the drugged, the sick, and the disillusioned right where they were. Whether among hippy seekers or the addicts and prostitutes of Amsterdam's infamous Red Light District, the McClungs lived out a message of hope. Hippie trail from Afghanistan to Amsterdam, during the 60's. An ordinary young couple dared to set aside the comforts of American suburbia and committed themselves to stepping out in faith with the message of hope.

Steve Goode and Marie Bentley, high-school sweethearts from Tennessee, couldn't have imagined all they would see through multiple decades of service to the poor and oppressed. Never shying away from God's call, they have served in refugee camps and war zones and lived through personal illnesses and struggles. As long-term leaders of Youth With A Mission's mercy ministries and efforts against human trafficking in Southeast Asia and beyond, Steve and Marie have brought healing and hope to thousands of people and continue to inspire others to do the same.

"Reona Peterson Joly and Evey Muggleton Heckman never dreamed of the adventure and danger that lay before them as they attended a short-term missions school in Switzerland. Then, as the two young women sought God, they began to sense a burden for the mysterious, isolated nation of Albania - a nation unlike any other. In the 1970s Albania's leaders boasted that theirs was the first completely atheistic nation in the world. Closed to almost all outsiders, Communist Albania particularly wanted no contact with Christians. In this nation that had sealed Christian citizens in barrels and rolled them into the sea, preaching the gospel was punishable by death. Willing participants in God's plan, yet unsure of how He would lift their burden, Reona and Evey took the first small steps of faith. Through a miraculous set of events, the two young believers were drawn into the danger and intrigue of being God's undercover agents in a nation that officially despised Him."--Publisher's website.

The series of short stories that follow are inspired by life stories of people from all walks of life. The time lines vary but the locations are assumed and also the characters names are fictitious but roles are also adaptations from life stories. The sense of adventure for Arguille MacGregor to travel to these many locations and experience the different cultures is related to his Scottish/Irish heritage and motivation from his multi cultured parents as a youth.