Lady with a Mead Cup is a broad-ranging, innovative and strikingly original study of the early medieval barbarian cup-offering ritual and its social, institutional and religious significance. Medievalists are familiar with the image of a queen offering a drink to a king or chieftain and to his retainers, the Wealhtheow scene in Beowulf being perhaps the most famous instance. Drawing on archaeology, anthropology and philology, as well as medieval history, Professor Enright has produced the first work in English on the warband and on the significance of barbarian drinking rituals. Lady with a Mead Cup will be of interest to students of Germanic or Celtic culture and kingship, anthropology and Dark Age religion.

Now available in paperback, 'Lady with a Mead Cup' is a broad-ranging, innovative, and strikingly original study of the early medieval barbarian cup-offering ritual and its social, institutional, and religious significance. Medievalists are familiar with the image of a queen offering a drink to a king or chieftain and to his retainers, the Wealhtheow scene in Beowulf being perhaps the most famous instance. Drawing on archaeology, anthropology, and philology, as well as medieval history, Professor Enright has produced the first work in English on the warband and on the significance of barbarian drinking rituals.

Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive

"If you could have been around a hundred and fifty years ago, and passed through the landscape as a beaver-trapping tough with Jim Bridger or Jedediah Smith, before coal barons, before soda ash and oil, before Mormons, before you could stand outside and watch satellites pass through the night sky or silhouettes kissing in warm apartment windows, when this history was wild and new, you could have just pointed and named something of permanence, a mountain, a river--at least a creek--after yourself. Or they would have named it for you, a permanent mark, just for being here." From a new talent that Annie Proulx has called an "important emerging writer" comes a surprising and expansive collection of stories, steeped in the lore of the frontier but unmistakably fresh and of our time. When We Were Wolves roams over a West we never knew existed--colonized by rogues and tricksters, Custer impersonators, firefighters with a weakness for arson, and the other rootless folk who come to rest under the vast and forgiving desert sky. Jon Billman writes about accidental lives: people who are trapped in unsuitable marriages, impossible situations, but who handle them with the odd grace of those who are determined to live by their own strange code. He mingles the skewed humor of David Sedaris with the loping, rough-edged appeal of Tom McGuane. This is a beguiling new entry on the map of American fiction.

This study reinterprets a crucial period (1870s-1920s) in the history of women's rights, focusing attention on a core contradiction at the heart of early feminist theory. At a time when white elites were concerned with imperialist projects and civilizing missions, progressive white women developed an explicit racial ideology to promote their cause, defending patriarchy for "primitives" while calling for its elimination among the "civilized." By exploring how progressive white women at the turn of the century laid the intellectual groundwork for the feminist social movements that followed, Louise Michele Newman speaks directly to contemporary debates about the effect of race on current feminist scholarship. "White Women's Rights is an important book. It is a fascinating and informative account of the numerous and complex ties which bound feminist thought to the practices and ideas which shaped and gave meaning to America as a racialized society. A compelling read, it moves very gracefully between the general history of the feminist movement and the particular histories of individual women."--Hazel Carby, Yale University

Horsemanship for Women is a book by Theodore H. Mead. It examines equestrianism for women in the early 19th century coupled with theoretical and practical advice on the disciplines of riding, driving, and vaulting.