Interfirm Networks in the Japanese Electronics Industry analyses changes in production networks in the Japanese electronics industry. Japan's post-war success in the assembly industries is frequently attributed to innovative approaches to the organization of production: Japanese assemblers have tended to forge intricate networks of long-term interfirm business relationships. Traditionally, these networks have been characterized by hierarchical interfirm relationships resembling a pyramid. Paprzycki argues that as a result of global industry dynamics, such monolithic 'pyramidal' production networks have come under mounting pressure and are giving way to an increasing diversity of network arrangements. A major contributing factor is the growing cost and complexity of technology, which forces even the largest manufacturers to look beyond traditional network boundaries in order to gain access to complementary (technological) assets and capabilities.

Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception. Mika Ko considers the ways in which ‘multicultural’ sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply to have ‘reflected’ more general trends within Japanese society but to have played an active role in constructing and communicating different versions of multiculturalism. In particular, the book is concerned with how representations of ‘otherness’ in contemporary Japanese cinema may be identified as reinforcing or subverting dominant discourses of ‘Japaneseness’. the author book also illuminates the ways in which Japanese films have engaged in the dramatisation and elaboration of ideas and attitudes surrounding contemporary Japanese nationalism and multiculturalism. By locating contemporary Japanese cinema in a social and political context, Japanese Cinema and Otherness makes an original contribution to scholarship on Japanese film study but also to bridging the gap between Japanese studies and film studies.

Representing the Other in Modern Japanese Literature looks at the ways in which authors writing in Japanese in the twentieth century constructed a division between the ‘Self’ and the ‘Other’ in their work. Drawing on methodology from Foucault and Lacan, the clearly presented essays seek to show how Japanese writers have responded to the central question of what it means to be ‘Japanese’ and of how best to define their identity. Taking geographical, racial and ethnic identity as a starting point to explore Japan's vision of 'non-Japan', representations of the Other are examined in terms of the experiences of Japanese authors abroad and in the imaginary lands envisioned by authors in Japan. Using a diverse cross-section of writers and texts as case studies, this edited volume brings together contributions from a number of leading international experts in the field and is written at an accessible level, making it essential reading for those working in Japanese studies, colonialism, identity studies and nationalism.

Examining the ways in which the Japanese have manipulated historical memory, the contributors reveal the presence of an underlying concept of 'Japaneseness' that excludes members of the principal minority groups in Japan.

In Japan's National Identity and Foreign Policy, Alexander Bukh focuses on the construction of the Japanese self using Russia as the other, examining the history of bilateral relations and comparisons between the Russian and Japanese national character.

This book examines Japanese post-Cold War security policy, analyzing how Japan reacted to the end of the Cold War, the results of the transformation in the post-Cold War security environment, and exactly how Japanese security has changed from its Cold War design.

The latest edition of this comprehensive and user-friendly textbook provides a single volume resource for all those studying Japan's international relations. It offers a clear and concise introduction to the most important aspects of Japan's role in the globalized economy of the twenty-first century. The book has been fully updated and revised to include comprehensive discussions of contemporary key issues for Japan’s IR, including: the rise of China; reaction to the global economic and financial crisis since 2008; Japan’s proactive role after 9/11 and the war on terror; responses to events on the Korean Peninsula; relations with the USA and the Obama administration; relations with Russia, Central Asia and the Middle East; changing responses to an expanding and deepening European Union. Extensively illustrated, the text includes statistics, maps, photographs, summaries and suggestions for further reading, making it essential reading for those studying Japanese politics and the international relations of the Asia Pacific. A note on the cover: The cover illustration entitled 'Double Standard' is a Japanese manga penned by satirical artist Ichihanahana in November 2010 regarding rising Japanese nationalism, Japan-China tensions over the disputed territory of the Senkaku islands and the US presence in Okinawa. This manga demonstrates many of the key themes in Japan’s ties with China and the US, but also a number of other central features of Japan’s international relations as explored throughout this text.