This volume contains essays dealing with complex relationships between Judaism and Christianity, taking a bold step, assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as either rejection or appropriation

Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"—more figurative than real—in order to conquer, defend, and explore its own territory.

This volume contains twenty-two essays in honor of Carl R. Holladay, whose work on the interaction between early Christianity and Hellenistic Judaism has had a considerable impact on the study of the New Testament. The essays are grouped into three sections: Hellenistic Judaism; the New Testament in Context; and the History of Interpretation. Among the contributions are essays dealing with conversion in Greek-speaking Judaism and Christianity; 3 Maccabees as a narrative satire; retribution theology in Luke-Acts; church discipline in Matthew; the Exodus and comparative chronology in Jewish and patristic writings; corporal punishment in ancient Israel and early Christianity; and Die Judenfrage and the construction of ancient Judaism.

This volume deals with the role of saints and exemplary persons in Judaism and Christianity throughout history to the present time in an interdisciplinary perspective.

This book investigates the complexity, diversity, uniqueness and enduring significance of Jewish life in the Christian Roman Empire, from 312 to 634 C.E. During this period there occurred an unprecedented Jewish cultural explosion, encompassing the compilation and/or composition of such texts as the Palestinian Talmud, the main aggadic midrashim, an extensive magical/mystical literature, the revived apocalypse, a vast corpus of piyyutim and the beginnings of a practically oriented halakhic literature. Furthermore, this was the era of the florition of Jewish art, for it was only in the fourth century that a specifically Jewish iconographic language came into common use in the synagogues and catacombs, the archeological remains of almost all of which date from this period. This volume moves toward a synthesizing and contextualizing view of the Jewish cultural production of late antiquity, examining the interaction of Jews, Christians and pagans and with the emergence of new religious forms generated by such interaction.

The articles brought together here use anti-Jewish disputational literature to shed light on the rise of anti-Judaism in the West. Christian theologians at this time were particularly interested to work out the relationship between Christianity and Judaism because they were in the process of clarifying their own doctrines under the influence of classical material which had not been fully utilised since late Antiquity. In this context a response to the continued and vociferous Jewish rejection of Christianity seemed all the more urgent. It is not for nothing that the output of anti-Jewish polemics rose sharply towards the end of the 11th century and simultaneously became more and more sophisticated. Many of the anti-Jewish ideas of later centuries go back to what was formulated in the 11th and 12th centuries.

The nineteen essays assembled in this Festschrift represent the multiplicity of interests evident in Elisabeth (Elisheva) Revel-Neher’s work. They cover a variety of subjects dealing with pictorial messages encrypted in various artistic media, and address a broad array of topics: Jewish identity in the late antique period; patronage in late antique Jewish and Christian religious architecture; Jewish-Christian polemics and the representation of the “Other”; the question of Jewish or Christian illuminators of Hebrew books; the cultural background of illustrations in Hebrew manuscripts; Christian cosmology and dogma; the imagery of the Temple; and Jewish and Christian perceptions of women. Contributors are Rivka Ben-Sasson, Walter Cahn, Evelyn Cohen, Andreina Contessa, Eva Frojmovic, Lihi Habas, Dalia-Ruth Halperin, Colum Hourihane, Emma Maayan-Fanar, Herbert L. Kessler, Katrin Kogman-Appel, Shulamit Laderman, Mati Meyer, Bezalel Narkiss, Kurt Schubert, Sarit Shalev-Eyni, Margo Stroumsa-Uzan, Rina Talgam.