Inter-religious Practices and Saint Veneration in the Muslim World studies the immortal saint Khidr/Khizr, a mysterious prophet and popular multi-religious figure and Sufi master venerated across the Muslim world. Focusing on the religious figure of Khidr/Khizr and the practice of religion from Middle East to South Asia, the chapters offer a multi-disciplinary analysis. The book addresses the plurality in the interpretation of Khizr and underlines the unique character of the figure, whose main characteristics are kept by Muslims, Christians, Hindus and Sikhs. Chapters examine vernacular Islamic piety and intercommunal religious practices and highlight the multiples ways through which Khidr/Khizr allows a conversation between different religious cultures. Furthermore, Khidr/Khizr is a most significant case study for deciphering the complex dialectic between the universal and the local. The contributors also argue that Khidr/Khizr played a leading role in the process of translating a religious tradition into the other, in incorporating him through an association with other sacred characters. Bringing together the different worship practices in countries with a very different cultural and religious background, the study includes research from the Balkans to the Punjabs in Pakistan and in India. It will be of interest to researchers in History, Anthropology, Sociology, Comparative Religious Studies, History of Religion, Islamic Studies, Middle Eastern Studies, South Asian Studies and Southeast European Studies.

This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands. Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.

Decolonising the Study of Religion analyses historical and contemporary discussions in the study of religion and Buddhism and critically investigates representations, possibilities, and challenges of a decolonial approach, addressing the important question: who owns Buddhism? The monograph offers a case-based perspective with which to examine the general study of religion, where new challenges require reflection and prospects for new directions. It focuses on Buddhism, one religion which has been studied in the West for centuries. Building on postcolonial theories and supplemented with a critical analysis of identity and postsecular engagement, the book offers new possibilities and challenges to the study of religion. It critically investigates decolonisation in the study of religion, subscribing to a third way between ‘objectivist’ and ‘subjectivist’ positions. Analysing the postcolonial and decolonial critique of the study of religion, with a particular focus on Buddhist studies in the West and in Japan, this book will be of interest to researchers in the field of Religious Studies, Buddhism, Japanese religions, anthropology, Asian Studies and those interested in religion and decolonisation.

This book is about the articulation of ethics in the Qurʾān and the tafsīr tradition. Based on an examination of several apparently problematic Qurʾānic narrative pericopes and how the exegetes grappled with them, the book demonstrates that the moral world of the Qurʾān is polyvalent and non-linear, owing, above all, to its intrinsic ethical antinomies and textual ambiguities. That is, the book contends that paradox and uncertainty are both constituents of the Qurʾān’s ethical architectonics, and that through these constituents the Qurʾān charts a system of ethics that seeks to tread in the midst of a non-ideal world rife with uncertainty. The book also argues that the tafsīr tradition tends to erode the hermeneutical openness of the Qurʾān and, thereby, limits the Qurʾān’s ethical potential. The book, thus, advances our understanding of Qurʾānic ethics and contributes to the field of tafsīr studies and to the scholarship on Qurʾānic hermeneutics.

This book investigates the various meanings of forgetting and their ethical dimension in the Daoist classic Zhuangzi. It responds to recent scholarship in the study of the ethics of forgetting, which has only emerged within the past two decades in the wake of the widespread memory-studies of the late 20th century. This book accomplishes two goals: First, it assimilates insights from contemporary scholarship, and specifically applies Ricoeur’s three areas of ethical examinations of forgetting, to the study of the Zhuangzi. It addresses a wide range of ethical themes related to acts of forgetting, such as the meaning of well-being and healing, the issue of personal identity and relational autonomy, the norm of spontaneity, naturalness and suitability, the capacities for being empathic, altruistic and responsive to others, and the values of accommodation, receptivity and all-inclusive friendliness. Second, it places forgetfulness in the wider context of the Zhuangzi’s ethical inquiry, and offers a novel understanding of this age-old notion and its exegetic tradition, bringing them into dialogue with Western philosophy and contributing to contemporary discourse on the ethics of forgetting. The first book to present a comprehensive examination on the ethical dimension and meanings of forgetting or forgetfulness in the Daoist philosophy of the Zhuangzi, this monograph will be of interest to researchers in Asian philosophy, religion and culture, moral philosophy or ethics, the study of memory and forgetting, and comparative or cross-cultural philosophy and ethics.

Buddhism, Digital Technology and New Media in Korea introduces Ŭisang (625–702), a seminal figure in East Asian religion who founded the Korean Hwaŏm school of Buddhism, from various angles by placing his thought in the interdisciplinary and intercultural context of the twenty-first century. The book analyzes the scope of Ŭisang’s teachings through a study of his Ocean Seal Diagram with reference to digital technology and poetics. It attempts to identify diverse intersections between Ŭisang’s thought and Western ideas, elucidating the diagram’s potential as a meta-theory applicable to various academic fields in view of unprecedented changes in human life brought forth by the digital revolution. Contributors to the book present comprehensive and in-depth analyses of the dynamic applicability as well as persistent traits of the Ocean Seal Diagram in the AI era. Inspired by the creative potential of the diagram, the chapters unravel the points of agreement and disagreement between Hwaŏ Buddhism and contemporary intellectual currents, promising to take a transregional and transhistorical dialogue to the new level suitable to the ever-changing digitalized global environment. This book will be of interest to researchers in a wide range of disciplines such as Religious Studies, Philosophy, Korean Studies, Media Studies, Cultural Studies, Digital Humanities, Anthropology, and Globalization Studies, among others.

Focusing on the Maijbhandari movement in Chittagong, south-eastern Bangladesh, which claims the status of the only Sufi order originated in Bengal and which has gained immense popularity in recent years, this book provides a comprehensive picture of an important aspect of contemporary Bengali Islam in the South Asian context. Expertise in South Asian languages and literatures is combined with ethnographic field work and theoretical formulations from a range of disciplines, including cultural anthropology, Islamic studies and religious studies. Analysing the Maijbhandaris tradition of Bengali spiritual songs, one of the largest popular song traditions in Bengal, the book presents an in-depth study of Bengali Sufi theology, hagiography and Maijbhandari esoteric songs, as well as a discussion of what Bengali Islam is. It is a useful contribution to South Asia Studies, as well as Islamic Studies.