This volume is a collection of essays presented at the 20th annual Eugene Scassa Mock Organization of American States conference, which is the nation’s only “hybrid” conference including an inter-collegiate competition and simulation of the Organization of American States, a moot court simulation of the Inter-American Court of Human Rights, and a traditional academic conference for faculty and graduate students centered on the study of Inter-American relations and politics within the Western Hemisphere. The conference invited recognized authorities and promising new scholars in the vastly varied fields associated with Latin American studies. Taking a broad view of the academic study of the Western Hemisphere, the conference and, subsequently, this volume includes research from fields as diverse as international law, spatial geography, literature, religion, political science, and history. Taken together, these essays provide a fascinating multi-dimensional look at the intricate relationships between the polities and cultures of the Americas.

Historically, Argentina has been one of the strongest, most independent countries of Latin America. It seems odd then, that Argentina should develop a foreign policy during the post-Cold War period characterized by a strong allegiance to the United States. However, the end of the bilateral world left the U.S. foreign policy much less focused at the same time that Argentine foreign policy became much more focused. For Argentina, domestic changes-especially economic and political instability-encouraged the government to redefine U.S.-Argentine relations from prior patterns of conflict and distrust, in order to improve the country's international image and attract foreign support. Covering two decades of history, this book seeks to explain for the first time, the reasons for the emergence of a strong friendship between the United States and Argentina. Beginning with the history of U.S.-Argentine relations up until the end of the Cold War, the text then considers changes in: The international political system The nature of domestic politics and their influence on foreign policy-making in both countries Recent issues in U.S.-Argentine relations The United States and Argentina sets out to explore the nature of U.S.-Argentinean relations by concentrating on the issues which have shaped and stood out in the dialogue between the two countries and how this shifting relationship has been played out in international institutions. This will be the fourth in our Contemporary Inter-American Relations Series.

Cinema and Inter-American Relations studies the key role that commercial narrative films have played in the articulation of the political and cultural relationship between the United States and Latin America since the onset of the Good Neighbor policy (1933). Pérez Melgosa analyzes the evolution of inter-American narratives in films from across the continent, highlights the social effects of the technologies used to produce these works, and explores the connections of cinema to successive shifts in hemispheric policy. As a result, Cinema and Inter-American Relations reveals the existence of a continued cinematic conversation between Anglo and Latin America about a cluster of shared allegories representing the continent and its cultures. Pérez Melgosa contends that cinema has become a virtual contact zone of the Americas, mediating in a variety of hemispheric political debates about the articulation of Anglo, Latin American, and Latino identities. Cinema and Inter-American Relations brings sustained attention to ongoing calls for a transnational focus on the disciplines of film studies, American studies, and Latin American studies and engages with current theories of the transmission of affect to delineate a new cartography of how to understand the Americas in relation to cinema.

How the dissemination of Latin American literature in the U.S. was "caught between the desire to support the literary revolution of the Boom writers and the fear of revolutionary politics" (John King).

This wide-ranging comparative study argues for a fundamental reassessment of the literary history of the nineteenth-century United States within the transamerican and multilingual contexts that shaped it. Drawing on an array of texts in English, French and Spanish by both canonical and neglected writers and activists, Anna Brickhouse investigates interactions between US, Latin American and Caribbean literatures. Her many examples and case studies include the Mexican genealogies of Nathaniel Hawthorne, the rewriting of Uncle Tom's Cabin by a Haitian dramatist, and a French Caribbean translation of the poetry of Phillis Wheatley. Brickhouse uncovers lines of literary influence and descent linking Philadelphia and Havana, Port-au-Prince and Boston, Paris and New Orleans. She argues for a new understanding of this most formative period of literary production in the United States as a 'transamerican renaissance', a rich era of literary border-crossing and transcontinental cultural exchange.

This book systematically covers the background of U.S.-Cuban relations after the Cold War and tensions into the twenty-first century. The author explores the future of this strained relationship under Obama's presidency and in a post-Castro Cuba.