In developing countries, the extent to which intellectuals disengage themselves in state activities has widespread consequences for the social, political, and economic development of those societies. Roderic Camps’ examination of intellectuals in Mexico is the first study of a Latin American country to detail the structure of intellectual life, rather than merely considering intellectual ideas. Camp has used original sources, including extensive interviews, to provide new data about the evolution of leading Mexican intellectuals and their relationship to politics and politicians since 1920.

After Mexico’s revolution of 1910–1920, intellectuals sought to forge a unified cultural nation out of the country’s diverse populace. Their efforts resulted in an “ethnicized” interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. López explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos Chávez, the educator Moisés Sáenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts—dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks—came to be seen as symbolic of Mexico’s modernity and national distinctiveness. López examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of Olinalá, located in the mountainous southern state of Guerrero. Since the 1920s, Olinalá has been renowned for its lacquered boxes and gourds, which have been considered to be among the “most Mexican” of the nation’s arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico’s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.

Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. Adela Pineda Franco is Professor of Latin American Literature and Film at Boston University. She is the coeditor (with Jaime Marroquin Arredondo and Magdalena Mieri) of Open Borders to a Revolution: Culture, Politics, and Migration.

Mexican presidents Lázaro Cárdenas (1934–1940) and Luis Echeverría (1970–1976) used populist politics in an effort to obtain broad-based popular support for their presidential goals. In spite of differences in administrative plans, both aimed to close political divisions within society, extend government programs to those on the margins of national life, and prevent foreign ideologies and practices from disrupting domestic politics. As different as they were in political style, both relied on appealing to the public through mass media, clothing styles, and music. This volume brings together twelve original essays that explore the concept of populism in twentieth century Mexico. Contributors analyze the presidencies of two of the century’s most clearly populist figures, evaluating them against each other and in light of other Latin American and Mexican populist leaders. In order to examine both positive and negative effects of populist political styles, contributors also show how groups as diverse as wild yam pickers in 1970s Oaxaca and intellectuals in 1930s Mexico City had access to and affected government projects. The chapters on the Echeverría presidency are written by contributors at the forefront of emerging scholarship on this topic and demonstrate new approaches to this critical period in Mexican history. Through comparisons to Echeverría, contributors also shed new light on the Cárdenas presidency, suggesting fresh areas of investigation into the work of Mexico’s quintessentially populist leader. Ranging in approach from environmental history to labor history, the essays in this volume present a complex picture of twentieth century populism in Mexico.

The Mexican revolution began in 1910 with high hopes and a multitude of spokesmen clamoring for a better life for ordinary Mexicans. This anthology examines how the revolution brought change and often progress. Women, the landless, the poor, the country folk are among those receiving consideration in the twenty-seven readings, which range from political and economic to social and intellectual history. About half of the selections are previously unpublished. Combining the best new scholarship by modern historians; outstanding work by distinguished Mexicanists of the past; excerpts from mexico's finest fiction, poetry, and commentary; reminiscence; cartoons and illustrations, Twentieth-Century Mexico brilliantly illuminates the Mexican experience from Porfirio D�az to petrodollars. The concluding chapter ties together the strands of twentieth-century Mexican culture to help U.S. readers understand not only Mexico's present situation but also its relations with the Colossus of the North. Like its predecessor, Mexico: From Independence to Revolution (UNP, 1982), this book includes suggestions for further reading and an index.

Based on six years of research, including interviews with leading Mexican entrepreneurial and political leaders and the assessment of hitherto unavailable materials, this work focuses on the complex political relationship between the Mexican state and leading businessmen from the 1920s to the present. Analyzing nearly 3000 biographies to compare Mexico's two leading competitors for political power, the author uses a humanistic approach to test a number of assumptions about the relationship between the business community and the state and provides new insights into the existence of a power elite, the exchange between economic and political leaders, the self-image of Mexican entrepreneurs, the position of family-controlled firms, and the influence of capitalists on the decision-making process. Camp also provides detailed information on the ownership of Mexico's top 200 firms, including names of stockholders, board members, and managers.

Focusing on a period between the early 20th century and the literary boom of the 1960s, this study examines the role of intellectuals in Latin American politics. It looks at the way modernization impacted on intellectual life.