"A book of unusual personality, charm, and force; it should greatly please a wide range of readers, including those sophisticated about conservation and land-use questions, and it should make even the hardest-line ranchers think some new thoughts about their future strategies."--Ernest Callenbach, author of Ecotopia "What a grand collaboration: Kittredge's words and the Blakes' images take us to the soul of the Klamath Country, at once a magnificent, battered, and resolute landscape. This finely-crafted blend of artistry, history, literature, public policy, and ecology tells the full and compelling story of one great western place and its people. In so doing, Balancing Water tells us a great deal about how, if we find the common will to work it right, we can shape the futures of other watersheds across the west."--Charles Wilkinson, Distinguished University Professor at the University of Colorado, and author of Fire on the Plateau and The Eagle Bird "Coexistence has never been a popular principle in the American West, but as this book makes clear it has become indispensable for the survival of both endangered nature and endangered rural community. I was inspired by this brilliant collaboration of writer and photographers. They show a West that is changing for the good. They bring a message of hope that is compelling and timely."--Donald Worster, Hall Professor of American History, Univ of Kansas and author of Rivers of Empire: Water, Aridity, and the Growth of the American West and Nature's Economy: A History of Ecological Ideas

Robert J. David's Spirit Fire and Lightning Songs makes a major contribution to the steadily growing body of research in the western United States that prioritizes indigenous voices, myth, and neuropsychological models to provide a fresh and innovative approach to decolonizing the past. As a Klamath Tribal member, David's scholarly and engaging writing style lends itself to the retelling of Klamath-Modoc myths and the interpretation of how these myths convincingly relate to rock art at 4-Mod-22, a complex Klamath Basin petroglyph site in Northern California near the former Tule Lake. David's work at 4-Mod-22 highlights three distinctive classes of rock art: iconic motifs, residual markings, and geometric figures. Information provided by a combination of Klamath-Modoc ethnography and myth suggests that these distinctive rock art categories denote two patterns of ritual use that include shamans' consultations with their spirit familiars, and shamanic power quests.