How can industrial production be reintegrated into the urban fabric in a post-digital world Research from Harvard's Graduate School of Design addresses the issues Cities have always been places where commerce and production, working and living, are physically and functionally integrated. Only with the rise of industry have zoning regulations been introduced to separate these functions. But what role do these regulations play when industry is digitized, increasingly emission-free and shifting away from mass production What will the ideal mix of working and living be in the future In a world characterized by digital disruption, migration and demographic shifts, how do we build cities based on social equity and resilience Based on interdisciplinary urban design research undertaken at Harvard University's Graduate School of Design, the Zurich-based architecture studio Hosoya Schaefer presents The Industrious City: Urban Industry in the Digital Age. Investigating how production can be reintroduced into the urban fabric, this book explores how production, services, leisure and living might come together in a future integrated city.

Previously unpublished new projects are thematically integrated into the evolution of Baur's oeuvre. The book thus reveals a conceptual and design constant, or even fascination, in the work of Ruedi Baur. Thus the book reveals a conceptual and design constant, or even fascination, in the work of Ruedi Baur. Five years after the success of Ruedi Baur, Integral et associ s, the author takes stock and manifests the principles of his design work and attitude. Five years after the success of Ruedi Baur Integral et associ s, the author takes stock and manifests the principles of his design work and attitude.

An ode to the beloved typeface Helvetica is a sans-serif typeface. It is simple and clean, and commonly seen in advertising, signage, and literature. The R has a curved leg, and the i and j have square dots. The Q has a straight angled tail, and the counterforms inside the O, Q, and C are oval. It is an all-purpose type design that can deliver practically any message clearly and efficiently. It is one of the most popular typefaces of all time. Helvetica: Homage to a Typeface presents 400 examples of Helvetica in action, selected from two diametrically opposed worlds. Superb applications by renowned designers are juxtaposed with an anonymous collection of ugly, ingenious, charming, and hair-raising samples of its use.

The islands of Naoshima, Teshima, and Inujima in Japan's Seto Inland Sea are places of pilgrimage for friends of contemporary art and architecture. Alongside works in public spaces as well as site-specific installations, the islands are also full of numerous museums and collections of contemporary art. This publication offers a comprehensive documentation of this unique cultural landscape surrounded by Japan's Inland Sea. The photographs by the Dutch photographer Iwan Baan, ranging from tiny details to giant panoramas, create a comprehensive portrait of the islands with their fluid transitions between nature, art, and architecture. Numerous texts introduce readers to the individual areas and projects that are either permanently on display on the islands or have taken place there temporarily. In addition, other essays deal with the island as a cultural concept and phenomenon. Among others, the book presents buildings by Kazuyo Sejima, Ruye Nishizawa, Tadao Ando, and Hiroshi Sambuichi. ILLUSTRATIONS: 300

How will the human body, collective and individual, cope with the estimated increases in global air temperatures and in the earth's corresponding thermal stress? Atmosphere Anatomies: On Design, Weather, and Sensation offers an in-depth examination of design strategies that situate the body and its bioclimatic milieu at the core of their spatial formation. Drawing upon ten paradigmatic projects in urban design and landscape architecture - from Rousham Gardens, Oxfordshire, to the city of Chandigarh in India - the book investigates the designers' bioclimatic aims and their spatial outcomes. Woven throughout the book, the evocative photographic essays of Iwan Baan showcase the selected projects as inhabited spaces for everyday life.

Building Books gives insight into the process of creating a book. In seven thematic fields the author lays out the premises of his activity as a designer and publisher: vision, context, process, protest, object, duration, effect. The reference to the process of building and the parallels to architecture is in keeping with Lars Müller’s conviction that a book design emerges from an understanding of its content. The author describes the principles of his activity, settles accounts, takes stock after twenty-five years of Lars Müller Publishers, looks into the future, and speculates about the book’s chances in competition with rapid digital media.

"The shortage of fresh, clean water,” states a report by the Human Rights Commission, "is the greatest danger to which mankind has ever been exposed.” It is only thanks to water and its mysterious qualities that life on earth is possible at all. Without water there would be no food, no clothing, there would not even be the ink the Bill of Rights was written with. Who owns the Water? discusses the phenomenon of water, marvels at its uniqueness and addresses the dangers and opportunities water offers to life. The book looks at the most important questions about providing drinking water and producing food, but also deals with water as a destructive force, and investigates the chemical qualities of the molecule. Who owns the Water? points out the risks of unlimited privatization of water, and records how dependence on water is exploited. Committed picture sequences and detailed texts explain how water can belong to no one, but has to be treated responsibly and held in appropriate esteem by the whole of mankind.