Artist, writer and skateboarder Mark Gonzales is always in motion and his work is a real-time product of that unceasing movement. His visual output ranges from drawings and paintings to dolls and in this case, photographs taken with that contemporary equivalent of the Kodak Brownie, the cell phone. This collection of Gonzales' cell-phone pictures takes Jerry Chadwick's poem "Instead of Eros avenged" as its starting point. The photographs depict a life of joyful and chaotic spontaneity, showing Gonzales posing with fans, hanging out with family and friends and performing wallrides.

Skateboarding is both a sport and a way of life. Creative, physical, graphic, urban and controversial, it is full of contradictions – a billion-dollar global industry which still retains its vibrant, counter-cultural heart. Skateboarding and the City presents the only complete history of the sport, exploring the story of skate culture from the surf-beaches of '60s California to the latest developments in street-skating today. Written by a life-long skater who also happens to be an architectural historian, and packed through with full-colour images – of skaters, boards, moves, graphics, and film-stills – this passionate, readable and rigorously-researched book explores the history of skateboarding and reveals a vivid understanding of how skateboarders, through their actions, experience the city and its architecture in a unique way.

The Index of American Periodical Verse is an important work for contemporary poetry research and is an objective measure of poetry that includes poets from the United States, Canada, and the Caribbean as well as other lands, cultures, and times. It reveals trends in the output of particular poets and the cultural influences they represent. The publications indexed cover a broad cross-section of poetry, literary, scholarly, popular, general, and "little" magazines, journals, and reviews.

The brilliant, controversial, bestselling critique of American culture that “hits with the approximate force and effect of electroshock therapy” (The New York Times)—now featuring a new afterword by Andrew Ferguson in a twenty-fifth anniversary edition. In 1987, eminent political philosopher Allan Bloom published The Closing of the American Mind, an appraisal of contemporary America that “hits with the approximate force and effect of electroshock therapy” (The New York Times) and has not only been vindicated, but has also become more urgent today. In clear, spirited prose, Bloom argues that the social and political crises of contemporary America are part of a larger intellectual crisis: the result of a dangerous narrowing of curiosity and exploration by the university elites. Now, in this twenty-fifth anniversary edition, acclaimed author and journalist Andrew Ferguson contributes a new essay that describes why Bloom’s argument caused such a furor at publication and why our culture so deeply resists its truths today.

Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.

With the romance of The Selection and the epic stakes of Red Queen, Amy Tintera’s New York Times-bestselling Ruined trilogy continues with the thrilling young adult fantasy Avenged. Emelina Flores has come home to Ruina. After rescuing her sister, Olivia, from imprisonment in rival kingdom Lera, Em and Olivia together vow to rebuild Ruina to its former glory. But their fight has only begun. Olivia is determined to destroy everyone who acts against Ruina. Em isn’t as sure. Ever since Em posed as Prince Casimir’s betrothed in Lera, she’s started to see another side to this war. And now that Cas has taken the throne, Em believes a truce is within reach. But Olivia suspects that Em’s romantic feelings for Cas are just coloring her judgement. Em is determined to bring peace to her home. But when winning the war could mean betraying her family, Em faces an impossible choice between loyalty and love. Em must stay one step ahead of her enemies—and her blood—before she’s the next victim in this battle for sovereignty.