This book is about the unseen Shadow War that occurred between 1968 and 1976. It was written to honor those who served our country and didnt come back. They may have been ignored or denied by the Powers That Be, but they will live in my heart and my nightmares as long as I live. The profits from the sale of this book will go to help homeless veterans. Reading this book will open a new world for you -- The world of Special Intelligence Operations. From Viet Nam to Cambodia to Laos and North Viet Nam the action will show you why so many veterans from the Viet Nam War have PTSD. The potential for recurring nightmares will be apparent. Next you will take a trip from Libya to Spain to Italy and Romania. You will find out that the war against terror did not start in 2001. The following sample will demonstrate what Inside the World of Mirrors is all about. In 1974, I met and was briefed by a Mr. Martin, a high level individual from the American Embassy in Rome, Italy, on an operation to insure that a particular individual would not continue funding communist political activities in Italy. He was a bag man for the KGB. It was less than two months until a very important election was to take place. He was spreading money around to help the communist political candidates get elected. I was simply told Make Him Stop! They gave me carte blanche to get it done. Anytime in the next seven days would be just fine. This was only one of the 83 missions ran by a Special Intelligence Operative code named the Iceman

Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.

In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

At the dawn of the Cold War, the world’s most important intelligence agencies—the Soviet KGB, the American CIA, and the British MI6—appeared to have clear-cut roles and a sense of rising importance in their respective countries. But when Kim Philby, head of MI6’s Russian division and arguably the twenty-first century’s greatest spy, was revealed to be a Russian mole along with British government heavyweights Donald Maclean and Guy Burgess, everything in the Western intelligence world turned upside down. Here is the true story of how the American James Bond—the colorful, foulmouthed, pistol-packing, alcoholic ex-FBI agent William “King” Harvey—put the finger on Philby; how James Jesus Angleton, the chain-smoking poet of Yale University and the CIA’s supposed “master spy” in charge of counterintelligence, began his descent into a paranoid wilderness of mirrors upon learning of family friend Kim Philby’s ultimate betrayal; and the devastating consequences of the loss of MI6 prestige and the CIA’s subsequent self-defeating witch hunts. Every revelation, every stranger-than-fiction twist and turn is all the more intriguing as truths become lies and unlikely scenarios are revealed as reality. With impeccable sourcing and the use of thousands of pages of declassified research, David C. Martin’s Wilderness of Mirrors is widely recognized as a masterpiece of intelligence literature.

Tara, an Indian-American junior at Brierly prep school, feels her world dramatically change when a mirror planet to Earth is discovered and she, in this new era of scientific history, reconsiders her self and possible selves.