This final volume in the Feminist Companion to the Bible Second series is a sparkling collection. These essays revisit the figure of the Goddess, redefine female prophet-(esse)s, consider Yahweh as a violent husband, explore various aspects or eroticism in prophetic literature and discuss how to say no to a prophet. In the section on Daniel the Obtuse Foreign Ruler is viewed from the perspective of both feminism and humor, while Belshazzar's mother is proposed as another wise queen. Contributors include Judith Hadley, Esther Fuchs, Renate Jost, Rainer Kessler, Gerlinde Baumann, Mary Shields, Erin Runions, Tamar Kamlonkowski, Ulrike Sals, Julia M. O'Brien, Mayer Gruber, H. von Deventer, and Emily Sampson.

Roger Chartier examines how authors transformed the material realities of writing or of publication into an aesthetic resource exploited for poetic, dramatic, or narrative ends.

The Oxford Handbook of the Minor Prophets provides a clear and engaging one-volume guide to the major interpretative questions currently engaging scholars of the twelve Minor Prophets by collecting 40 essays by both established and emerging scholars who explore a wide range of methodological perspectives. Divided into four sections, the first group of essays is devoted to historical studies which consider the manuscript evidence for these books and overview debates about how, when, and by whom they were composed. Essays dealing with literary explorations consider the genres and rhetorical style of the material, key themes, and intertextual connections with other sections of the Jewish and Christian canons. A large section on the history of interpretation traces the ways in which past and present confessional communities, scholars, and artists have understood the Minor Prophets. In the final section, essays on individual books of the twelve Minor Prophets explore the structure, themes, and contested issues of each book.

This volume illustrates how the epigraphic habit is ubiquitous but variously expressed. Inscriptions become part of the fabric of Greek and Roman culture.

The study of listening—aurality—and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also in compassionate scholarship.

What imaginaries, tropes, and media have shaped how we theorize? The Mark of Theory argues that inscription constitutes one of the master metaphors of contemporary theory. As a trope that draws on a wide array of practices of marking, from tattooing to circumcision, from photographic imprints and phonographic grooves to marks on a page, inscription provides an imaginary that orients and irritates theoretical thought. Tracing inscriptive imaginaries from the late nineteenth century to today, The Mark of Theory offers a wide-ranging conceptual genealogy of contemporary thought. Navigating poststructuralism’s attention to figurative language as well as media theory’s attention to objects, phenomena, and practices of mediation, the book works through core questions for how we theorize. Across a range of disciplines and scholarly conversations—from literature and media to anthropology, race and gender, art, psychoanalysis, sound, and ultimately ethics—sites of inscription come to constitute the past legacy of a thought to come, a prehistory of our current moment. In focusing on materiality and mediation The Mark of Theory shows how inscriptive practices shape conceptual thought, as well as political and ethical choices. By contextualizing the fraught relationship between materiality and signification, The Mark of Theory lays the ground for a politics of theory that begins there where theory and politics are no longer conflated.