Rainer Schulzer provides the first comprehensive study, in English, of the modern Japanese philosopher Inoue Enryō (1858–1919). Enryō was a key figure in several important intellectual trends in Meiji Japan, including the establishment of academic philosophy, the public campaign against superstition, the permeation of imperial ideology, and the emergence of modern Japanese Buddhism. As one of the most widely read intellectuals of his time and one of the first Japanese authors ever translated into Chinese, an understanding of Enryō's work and influence is indispensable for understanding modern East Asian intellectual history. His role in spreading the terminology of modern East Asian humanities reveals how later thinkers such as Nishida Kitarō and Suzuki T. Daisetsu emerged; while his key principles, Love of Truth and Protection of Country, illustrate the tensions inherent in Enryō's enlightenment views and his dedication to the rise of the Japanese empire. The book also presents a systematic reconstruction of what was the first attempt to give Buddhism a sound philosophical foundation for the modern world.

Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.

Ideology and Christianity in Japan shows the major role played by Christian-related discourse in the formation of early-modern and modern Japanese political ideology. The book traces a history development of anti-Christian ideas in Japan from the banning of Christianity by the Tokugawa shogunate in the early 1600s, to the use of Christian and anti-Christian ideology in the construction of modern Japanese state institutions at the end of the 1800s. Kiri Paramore recasts the history of Christian-related discourse in Japan in a new paradigm showing its influence on modern thought and politics and demonstrates the direct links between the development of ideology in the modern Japanese state, and the construction of political thought in the early Tokugawa shogunate. Demonstrating hitherto ignored links in Japanese history between modern and early-modern, and between religious and political elements this book will appeal to students and scholars of Japanese history, religion and politics.

Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity. Ê

By doing so, and by providing an overview of Japanese philosophy from the seventh century to the present, the authors contribute to a greater cross-cultural understanding between East and West."--BOOK JACKET.

In this extraordinary collection of writings, covering the period from 1878 to 1989, a wide range of Japanese visitors to the United States offer their vivid, and sometimes surprising perspectives on Americans and American society. Peter Duus and Kenji Hasegawa have selected essays and articles by Japanese from many walks of life: writers and academics, bureaucrats and priests, politicians and journalists, businessmen, philanthropists, artists. Their views often reflect power relations between America and Japan, particularly during the wartime and postwar periods, but all of them dealt with common themes—America’s origins, its ethnic diversity, its social conformity, its peculiar gender relations, its vast wealth, and its cultural arrogance—making clear that while Japanese observers often regarded the U.S. as a mentor, they rarely saw it as a role model.

This innovative study of ethics in Meiji Japan (1868–1912) explores the intense struggle to define a common morality for the emerging nation-state. In the Social Darwinist atmosphere of the time, the Japanese state sought to quell uprisings and overcome social disruptions so as to produce national unity and defend its sovereignty against Western encroachment. Morality became a crucial means to attain these aims. Moral prescriptions for re-ordering the population came from all segments of society, including Buddhist, Christian, and Confucian apologists; literary figures and artists; advocates of natural rights; anarchists; and women defending nontraditional gender roles. Each envisioned a unity grounded in its own moral perspective. It was in this tumultuous atmosphere that the academic discipline of ethics (rinrigaku) emerged—not as a value-neutral, objective form of inquiry as its practitioners claimed, but a state-sponsored program with its own agenda. After examining the broad moral space of "civilization," Richard Reitan turns to the dominant moral theories of early Meiji and the underlying epistemology that shaped and authorized them. He considers the fluidity of moral subjectivity (the constantly shifting nature of norms to which we are subject and how we apprehend, resist, or practice them) by juxtaposing rinrigaku texts with moral writings by religious apologists. By the beginning of the 1890s, moral philosophers in Japan were moving away from the empiricism and utilitarianism of the prior decade and beginning to place "spirit" at the center of ethical inquiry. This shift is explored through the works of two thinkers, Inoue Tetsujiro (1856–1944) and Nakashima Rikizo (1858–1918), the first chair of ethics at Tokyo Imperial University. Finally, Reitan takes a detailed look at the national morality movement (kokumin dotoku) and its close association with the state before concluding with an outline of some conceptual linkages between the Meiji and later periods. With its highly original thesis, clear and sound methodology, and fluid prose, Making a Moral Society will be welcomed by scholars and students of both Japanese intellectual history and ethics in general.