Inner Sanctum takes readers inside the Faculty Room of Princeton University's historic Nassau Hall. It explores the Faculty Room's role as the symbolic center of Princeton and venerable repository of its institutional memory, and looks at how the room and its portraits reflect and helped shape the University's identity. Located at the very heart of the Princeton campus, the Faculty Room served variously as a prayer hall, library, and museum, until University president Woodrow Wilson had it remodeled in 1906 for executive and ceremonial use. The room is distinctive for its fine architectural features, stately design, and remarkable collection of portraits depicting University founders, American presidents, British monarchs, clergymen, scholars, scientists, and others. This book traces how the Faculty Room's changing function and the diverse portraits on its walls tell an evocative story of Princeton's evolution from a small school of dissident theologians to the world-renowned research university it is today. It demonstrates how the room's contents and design, as well as its long and varied history, invite interpretation across a range of narratives, including those of memory, religion, history, race, biography, portraiture, and architecture. The accompanying volume to a 2010 exhibition in the Faculty Room itself, Inner Sanctum features a foreword by University president Shirley M. Tilghman and essays by Toni Morrison, Sean Wilentz, Eddie S. Glaude Jr., and volume editor Karl Kusserow, as well as a closing poem by Paul Muldoon. THE EXHIBITION SCHEDULE: "http: //www.princeton.edu/main/news/archive/S27/79/14G91/index.xml'section=featured" Faculty Room at Nassau Hall, Princeton University May 28, 2010 through October 30, 2010

"In this lively Very Short Introduction, Tim Bayne explores the nature of thought. Drawing on research from philosophy, psychology, neuroscience, and anthropology, he examines what we know--and what we don't know--about one of the defining features of human nature: our capacity for thought."--P. [2] of cover.

One of the comic-book greats, Ernie Colon, treats readers by vividly illustrating four chilling mysteries based on the classic radio horror show Inner Sanctum Mysteries. Illustrated with his trademark black-and-white style, the terror within includes a doll that cries out the name of the devil, a grotesque enslaver that only one man can see and the story of someone buried alive!

In "The Inner Sanctum of Puritan Piety," J. Stephen Yuille demonstrates how the doctrine of the believer's union with Christ lies at the heart of the Puritan pursuit of godliness. He analyzes the whole corpus of Flavel's writings, showing how this mystical union is set upon the backdrop of God's covenant of redemption and established on the basis of the person and work of Jesus Christ. Chapters on the nature and acts of this union help readers gain a better understanding of what this union is, while chapters on the blessings, fruit, suffering, evidence, joy, practice, and hope associated with this union, show more fully the experiential direction of Flavel's approach to theology. Table of Contents: The Covenant of Redemption The Basis of Union with Christ The Nature of Union with Christ The Act of Union with Christ The Blessings of Union with Christ The Fruit of Union with Christ The Evidence of Union with Christ The Suffering of Union with Christ The Joy of Union with Christ The Practice of Union with Christ The Hope of Union with Christ

In this mystery from an Edgar Award–winning author, sleuth Peter Duluth steps in when his rebellious nephew is charged with murder. Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” Jake Duluth is a man alone. Three years after the suicide of his beloved wife, the wall between Jake and his son, Bill, has only grown higher. Bill’s constant impulsiveness has driven Jake to distraction, while Jake’s constant concern for his publishing business alienates Bill even more. But when Bill is accused of murdering Jake’s business partner after falling in love with the man’s much younger wife, Jake has no choice but to believe his son and call in someone with much more experience in such sinister matters—his brother, Peter. Now, with Bill’s life at stake, Jake and Peter must follow a trail of secrets and twisted loyalties if they are going to uncover a culprit neither could have ever imagined.