These books are about listening. It addresses the wisdom already within you. It was there before you were born, and it will be there after you leave. It is beyond the distractions of the body, conflicts with the emotions, and the contradictions of the mind. It is about you, who you are, and listening to who you are. It is to help you to find your own direct knowledge with your energy and truth in creating abundance and balance in your life. It is about the stillness of your soul and all its inner harmonies that are your spiritual expression. It brings forth your innocence, truth, blessings, miracles, consecration, grace, and living love. You are a creative being whose keys to your emergence lies deep within you. This emergence is beyond space and time and its plays as your inner verse. You are poetry of being. It is time for you to claim it and to love yourself and all others with the sources within you. It is your soul awareness.

Rethinking Schubert offers a conspectus of issues in Schubert scholarship, a reappraisal of key debates, and an exploration of new avenues of research. It brings together twenty-two essays by some of today's most important Schubert scholars, which provide new insights into this composer, his music, his influence, and his legacy.

Translated into English for the first time, Foundations of Modern Harmony, by composer and music theorist Karel Janec̆ek, addresses the analysis and composition of music not based on the tonal harmony that was common language until the early 20th century. Discussing this newer music requires a vocabulary in which all combinations of notes, or chords, can be named. Janec̆ek developed his theory of modern harmony over many years. In this book, he classifies chords according to their intervallic structure, their possible arrangements, and then based on their consonance and dissonance. His focus on what we hear leads to a discussion of “imaginary” pitches, those that are still heard after they are no longer sounding. Dealing with such issues as harmonizing a melody, resolving dissonant chords, and the formation and extinction of a sense of the tonic, Janeček’s work is an exciting complement to the theories of Schoenberg and Hindemith. His discussion of harmonic motion leads to the consideration of harmonic function, of establishing the tonic, of modulation, of atonal composition, and of static and kinetic conceptions of harmony. First published in 1965, Janeček’s concerns are of continuing importance to music theorists and composers.