A Charlotte Justice novel.

Black theology's addressing of economic poverty in the Black neighborhoods and communities of the United States gives substantive reasoning to the fact that Black poverty is a theological problem. In connecting the narrative of idolatry to the irreversible harm that is associated with all forms of poverty, this new book interlocks the racial subjugation of Black Americans with the false assumptions of capitalism. Here the inner-city blues of poverty are experienced by those who reside in metropolitan cities and rural towns. The poverty of Black Americans is described with a vision of development and reconciliation--one that is intentional in its use of cultural language and inclusive to the destructive images of Black people's deprivation. In understanding how idolatry foundationalizes deprivation in the inner-city communities, I envision the liberation motif in Black theology working with the mission of the Black church for the purposes of community empowerment and neighborhood development. As a form of material and structural poverty, Black poverty is an interdisciplinary study that requires a holistic approach to ministry. With a theological focus on deprived inner-city communities, this new volume strategically moves the conversation of Black poverty from description to construction to solution.

The award-winning first book in the series featuring black LAPD homicide detective Charlotte Justice. Meet Detective Charlotte Justice, a black woman in the very white, very male, and sometimes very racist Los Angeles Police Department. The time is 48 hours into the epochal L.A. riots and she and her fellow officers are exhausted. She saves the curfew-breaking black doctor Lance Mitchell from a potentially lethal beating from some white officers—only to discover nearby the body of one-time radical Cinque Lewis, a thug who years before had murdered her husband and young daughter. Was it a random shooting or was Mitchell responsible? And what had brought Lewis back to a city he'd long since fled? Charlotte's quest for the truth behind Cinque's death will set her at odds with the LAPD hierarchy, plunge her into the intricacies of everything from L.A.'s gang-banging politics to its black blue-bloods, and lead her into deep emotional waters with Mitchell's partner (and her old flame), Dr. Aubrey Scott. In Charlotte Justice, Paula L. Woods has created a tough, tart, but also vulnerable heroine sure to draw comparisons to such classic figures as Easy Rawlins and Kinsey Milhone, but a true original as well. Winner of the Macavity Award for Best First Mystery Novel from Mystery Readers International.

Meant to enlighten, inspire, provoke and instigate conversation and a new perspective, Inner City Blues is a collection of poetry that anyone can relate to. This revised and reformatted edition has been curated to include new poems, old insights and a fresh point of view. Even if poetry isn't your thing, you'll be sure to find a line that screams for your attention.

The classic documentary account of the 1970s punk explosion in Australia. Reviews, interviews, and 285 photographs vividly portray the creative ferment of the period and the many bands that sprang up in the wake of pioneers the Saints, Birthday Party, etc. DIY graphics, high-octane prose, and many rare photographs make this book a crucial part of the culture it portrays.

V.I. Warshawski, “undoubtedly one of the best-written characters in mystery fiction” (The Baltimore Sun), returns in a collection of stories that bring new meaning to “ties that bind.” Decked out in her silk shirts and no-nonsense Attitude, V.I. is out to make a living—by the skin of her teeth. In “Grace Notes,” V.I. has barely finished her morning coffee when she sees an ad in the paper asking for information about her own mother, long dead. The paper leads V.I. to her newfound Italian cousin Vico, who’s looking for music composed by their great-grandmother. What’s the score? Clearly it’s something to kill for. . . . “The Pietro Andromache” finds V.I.’s friend Dr. Lotty Herschel with motive and means to dispatch her professional rival and steal his priceless statue. Lotty didn’t do it—but does she know who did? V.I. soon cuts to the art of the case—and it’s not a pretty picture at all! Summoned by an old high school friend to a race “At the Old Swimming Hole,” V.I. ends up swimming with the sharks—the FBI and a ruthless gambling kingpin—in a pool of blood. . . . And it’s only “Skin Deep” when a relaxing facial transformation transforms a client into a stiff. V.I.’s pal Sal needs help. Her beautician sister Evangeline is prime suspect—and V.I. has only eighteen hours to crack the case before it’s headline news. . . . “Three-Dot Po” proves there’s nothing like a dog. Especially a dog on the trail of her mistress’s killer, with V.I. in tow. . . . In “Strung Out,” love means nothing and V.I.’s quick to learn the score as her old friend’s tennis-champion daughter is under suspicion for strangling her father with a racket string. And there’s more, nine stories in all, in this masterful collection of short fiction starring V.I. Warshawski, “the most engaging woman in detective fiction since Dorothy Sayers’s Harriet Vane” (Newsweek).

Poems inspired by traditional nursery rhymes depict the grim reality of inner city life, including such topics as crime, drug abuse, unemployment, and inadequate housing.