Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a masculine and unaffected architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context. Published for the Paul Mellon Centre for Studies in British Art

Best known for the Banqueting House in Whitehall, architect Inigo Jones was also a theatre designer and traveller. A difficult, troubled man he revolutionised British architecture by introducing the classical forms he had discovered on his journeys to Italy. Originally published: 2003.

This is the first ever comprehensive account of the archaeology and history of the cathedral and its churchyard from Roman times up to the construction of the Wren building. The cathedrals which preceded that of Wren come to the surface again, and we can appreciate the cultural and religiousimportance of St Paul's over more than 1000 years.

This book examines the conditions of the original performances in seventeenth-century indoor theatres.

English architecture. With 200 illustrations.