This book offers an anthropological account of Sri Lanka’s Eelam Wars III and IV. It is based on the life-narratives of ex-servicemen who fought on the frontlines. The volume approaches militarism as a practice of masculinity. It explores the sense of embattlement that young recruits feel, which stems from the inner war between notions of bodily deference instilled in childhood and having to conduct offensives on the battlefield. Thus though they wish to move smoothly into the assault techniques learnt in combat-training, they sometimes find their bodies are acting-out a different trajectory; engaging in acts of spectacular violence or simply running away. It traverses themes such as masculinity and Sinhala society, British martial masculinity vs the composed body in Sinhala discourse, combat-training and the battlefield. The author traces the ways in which troops tried to negotiate the thin line between valour and violence in a context in which the enemy’s suicide fighters engaged in the more extreme code of sacrificing-the-body, which derided the very manliness of soldiers who couldn’t prevail against them. She argues that the Sri Lankan experience has resonance for soldiers on battlefields everywhere, who become embattled when confronted by adversaries whose practice seems to diminish their own manliness. Rich in ethnographical narratives, this book will be interest scholars and researchers of war studies, gender studies, masculinity studies, peace and conflict studies, ethnic studies, political science, international relations, sociology, social anthropology, cultural studies, and South Asian studies, especially those concerned with Sri Lanka.

The powerful story of a mother facing the many ups and downs of raising her deaf and autistic daughter Amelia. Together they approach life's challenges with humor, hope, compassion and love. This is an intensely private story told with brutal honesty; it is also a must-read for anyone who has walked a similar road to theirs.

Winner of the 2021 annual book award of the Central Eurasian Studies Society (CESS). “David Leupold’s exceptional book explores the complex and contested Turkish, Kurdish, and Armenian visions of homeland in the greater Van region of contemporary Turkey. Through a layered analysis of collective violence, constructed national histories, and imagined homelands, Embattled Dreamlands demonstrates how violence and population displacement in the early 1900s produced homeland imaginaries and mutually exclusive interpretations of the past. Based on five years of ethnographic and historical research, Leupold’s rich tapestry of Ottoman and Soviet history, imagined geographies, and national narratives makes unique theoretical contributions to studies of collective memory and provides an insightful and impartial assessment of sectarian and national identities. The book invites us to evaluate critically and carefully our past and its impact on our contemporary imagined worlds.” Embattled Dreamlands explores the complex relationship between competing national myths, imagined boundaries and local memories in the threefold-contested geography referred to as Eastern Turkey, Western Armenia or Northern Kurdistan. Spatially rooted in the shatter zone of the post-Ottoman and post-Soviet space, it sheds light on the multi-layered memory landscape of the Lake Van region in Southeastern Turkey, where collective violence stretches back from the Armenian Genocide to the Kurdish conflict of today. Based on his fieldwork in Turkey and Armenia, the author examines how states work to construct and monopolize collective memory by narrating, silencing, mapping and performing the past, and how these narratives might help to contribute and resolve present-day conflicts. By looking at how national discourses are constructed and asking hard questions about why nations are imagined as exclusive and hostile to others, Embattled Dreamlands provides a unique insight into the development of national identity which will provide a great resource to students and researchers in sociology and history alike.

A deeply researched and vividly written study, this book depicts religion in place and in movement, dwelling and crossing. Drawing on insights from the natural and social sciences, Tweed's work is grounded in the gritty particulars of distinctive religious practices, even as it moves toward ideas about cross-cultural patterns. It offers a responsible way to think broadly about religion, a topic that is crucial for understanding the contemporary world.

A History of Irish Modernism examines a wide variety of artworks (from the 1890s to the 1970s), including examples from literature, film, painting, music, radio, and architecture. Each chapter considers a particular aspect of Irish culture and reflects on its contribution to modernism at large. In addition to new research on the Irish Revival and cultural nationalism, which places them squarely in the modernist arena, chapters offer transnational and transdisciplinary perspectives that place Irish cultural production in new contexts. At the same time, the historical standpoint adopted in each chapter enables the contributors to examine how modernist practices developed across geographical and temporal distances. A History of Irish Modernism thus attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns - even as it embodies aesthetic principles that are the hallmark of modernism in Europe, the Americas and beyond.