A day after José Ángel N. first crossed the United States border from Mexico, he was caught and then released onto the streets of Tijuana. Undeterred, N. crawled back through a tunnel to San Diego, where he entered the United States to stay. Illegal: Reflections of an Undocumented Immigrant is his timely and compelling memoir of building a new life in America. Arriving in the 1990s with a ninth grade education, N. traveled to Chicago where he found access to ESL and GED classes. He eventually attended college and graduate school and became a professional translator. Despite having a well-paying job, N. was isolated by a lack of legal documentation. Travel concerns made promotions impossible. The simple act of purchasing his girlfriend a beer at a Cubs baseball game caused embarrassment and shame when N. couldn't produce a valid ID. A frustrating contradiction, N. lived in a luxury high-rise condo but couldn't fully live the American dream. He did, however, find solace in the one gift America gave him–-his education. Ultimately, N.'s is the story of the triumph of education over adversity. In Illegal, he debunks the stereotype that undocumented immigrants are freeloaders without access to education or opportunity for advancement. With bravery and honesty, N. details the constraints, deceptions, and humiliations that characterize alien life "amid the shadows."

An Entertainment Weekly Top 10 Romance of 2018! I'm not a good man, and I've never pretended to be. I don't believe in goodness or God or any happy ending that isn't paid for in advance. In fact, I've got my own personal holy trinity: in the name of money, sex, and Macallan 18, amen. So when the gorgeous, brilliant Zenny Iverson asks me to teach her about sex, I want to say yes, I really do. Unfortunately, there are several reasons to say no--reasons that even a very bad man like myself can't ignore. 1. She's my best friend's little sister. 2. She's too young for me. Like way too young. 3. She's a nun. Or about to be anyway. But I want her. I want her even with my best friend and God in the way, I want to teach her and touch her and love her, and I know that makes me something much worse than a very bad man. It makes me a sinner. And it's those very sins that are about to save me... ***Sinner is a standalone companion to Priest about Father Bell's brother Sean. You do not have to read Priest or Midnight Mass to read Sinner***

A collection of cutting-edge scholarship on the close interaction of philosophy with science at the birth of the modern age.

An artist races to finish his forgery of a masterpiece while held captive in surreal, menacing splendor. José Federico Burgos is a failed painter turned forger trapped in surreal, an architectural masterpiece hidden behind high walls, an impish vagabond, and some very resourceful, very intimidating twins—Forgery pays homage to greats like Juan Rulfo and Luis Barragán, traversing late 20th Century Guadalajara with the exuberance and eccentricity of an 18th Century picaresque.

Poetry. Latino/Latina Studies. LGBTQIA Studies. Women's Studies. BEAST MERIDIAN narrates the first- generation Mexican American girl, tracking the experiences of cultural displacement, the inheritance of generational trauma, sexist and racist violence, sexual assault, economic struggle, and institutional racism and sexism that disproportionately punishes brown girls in crisis. Narrated by a speaker in mourning marked as an at- risk juvenile, psychologically troubled, an offender, expelled and sent to alternative school for adolescents with behavioral issues, and eventually, a psychiatric hospital, it survives the school to prison pipeline, the immigrant working class condition, grueling low- pay service jobs, conservative classism against Latinxs in Texas, queerness, assimilation, and life wrapped up in frivolous citations, fines, and penalties. The traumatic catalyst for the long line of trouble begins with the death of a beloved young grandmother from preventable cervical cancer--another violence of systemic racism and sexism that prevents regular reproductive and sexual health care to poor immigrant communities--and the subsequent deaths of other immigrant family members who are mourned in the dissociative states amidst the depressive trauma that opens the book. The dissociative states that mark the middle--a surreal kind of shadowland where the narrator encounters her animal self and ancestors imagined as animals faces brutal surreal challenges on the way back to life beyond trauma--is a kind of mictlan, reimagined as a state of constant mourning that challenges American notions of "healing" from trauma, and rather acknowledges sadness, mourning, and memory as a necessary state of constant awareness to forge a "way back" toward a broader healing of earth, time, body, history.