Cameras can capture what the eye can’t perceive: the presence of infrared light. And shooting infrared (IR) with a digital camera makes it easier than ever to create distinctively dreamlike, high-contrast black-and-white pictures. Using a wealth of stunning images, this thorough resource explores the technical and creative possibilities of this unique and increasingly popular medium. Get tips on focus and exposure; IR filters; and having a camera converted to shoot specifically in infrared. Follow instructions for processing and printing the photos--including toner effects and faux color. One glance through this guide and it’s clear why infrared pictures are fun to take and beautiful to look at.

Learn to harness and capture infrared wavelengths with an infrared-converted digital camera. The authors teach you how those invisible light wavelengths will be recorded in-camera and the steps you’ll need to take to ensure the best-possible photographs. You’ll study myriad images that show how various materials—from skin, hair, and eyes to the sky, trees, grasses, and clouds—will appear in your images and learn to predict the way that the colors and tones you perceive with your naked eyes will be rendered in-camera. You will discover compositional techniques that will visually engage your audience. Finally, you’ll learn how to use artistic applications to add selective color to your black & white infrared images, how to create dramatic color infrared photographs that take infrared capture to a whole new level, and how to edit your images in postproduction for enhanced contrast and superb detail.

Let your motto become "What would happen if. . . ?" Infrared light offers photographers another artistic avenue to explore. You don't need years of experience or expensive equipment. Just grab an IR filter or a converted digital camera, and you're ready to enter the fascinating world of infrared photography. The unique effects you can create with IR photography are limited only by your imagination. In these pages, you'll discover the practical information about file formats and composition as well as plenty of creative inspiration. Discover whether your camera can detect infrared light and compare different IR filters Learn how to see in IR and master IR composition Play with effects — extended exposures, shooting through glass, zooming, and painting with light Explore HDR and Photomerge options Open more creative possibilities with Photoshop

Digital Ultraviolet and Infrared Photography discusses the growing number of applications of ultraviolet and infrared photography. Scientific and technical photographers, such as those engaged in scientific, medical, forensic, and landscape and wildlife photography routinely use ultraviolet and infrared techniques, and these techniques are growing in use in creative photography. This is the first book to address the application and potential for both ultraviolet and infrared photography in both science and art. The author, Adrian Davies, discusses the how-to of ultraviolet and infrared digital recording with a dissection of techniques, camera requirements and camera conversion, a useful appendix of resources and equipment currently available and inspirational image examples throughout. Digital Ultraviolet and Infrared Photography is an essential read for photographers using these tools either professionally or creatively.

Infrared imaging offers a spectacular, otherworldly view of the people and places that surround us. While infrared film is expensive, requires special handling and can be unpredictable at best, the ability to create infrared images with a digital camera and proper filtration has revolutionised the genre. In this clear and easy-to-use manual, Rice explains everything about digital infrared imaging - from testing your camera's infrared sensitivity, to selecting the proper filtration, to enhancing images with digital effects.

This book pushes the purposes and properties of the rarest photographic film on the planet to its scientific and conceptual limits. British documentary photographer, Edward Thompson, set out to explore the boundaries of perception, whether they were things outside our visual spectrum or events that went unnoticed or unreported. From researching the original Kodak advertisements, expert interviews and scientific journals, Thompson has gathered an extensive archive and used some of the last 46 dead-stock rolls of Kodak Aerochrome Infrared film in existence to reveal the unseen.