If God can be used by the powerful to justify violence in the name of order, he can also be used by the weak to illuminate the position of the victims of political conflict. Religion, Torture and the Liberation of God explores the theological possibilities of a God who is a prisoner and a victim of torture. The book relocates God to the horrors of the military abuse of human rights in Chile and the systematic rape of women in the Democratic Republic of Congo. Aguilar argues that this theological exercise offers us new ways of understanding the abuse of power, whether it be the clerical abuse of children, violence against women, or homophobia. This examination of torture and rape becomes, through a theology of praxis and compliance, an examination of solidarity, love and affection. The book concludes with an exploration of the possibilities of a tortured God who liberates.

This book analyzes state terror documentation as a form of peaceful resistance to oppressive regimes through substantial research in human rights archives that registered violations perpetrated by Augusto Pinochet’s dictatorship in Chile. The contributors provide in-depth analysis on state violence documentation, denunciation and resistance and how it affected civilians, activists and victims. Additionally, the project introduces research in transitional contexts (post-dictatorship, post-apartheid and post-colonialism) showing the role of documentation practices in achieving truth, reparation and justice. This work will be relevant to academics, students and researchers in the fields of political science, political history, Latin American and memory studies.

A timely contribution to the study of peace psychology in Latin America, this volume describes clinical, psychosocial, and community interventions with victims from Mexico to Chile from the 1970s onward. Chapters analyze how to conceptualize complex processes such as the appropriation of children and political repression, raising psychological, juridical, and political implications for the victims, their families, human rights organizations, and society. Also included are studies and analyses of political processes in countries currently undergoing crises such as Venezuela and Colombia and the challenges posed by the peace process from a political psychology perspective. All authors present the results of studies or clinical cases illustrating creative methodologies and practices in different contexts. This book provides the context for differences in the victims' damages and the treatment approaches and methodologies adopted in each case. The authors outline psychological perspectives grounded in ethical and professional choices based on recognizing people's dignity while seeking rehabilitation and reparations for victims, families, and communities. It paves the way for reparations and rehabilitation, and ultimately to the establishment of democracy and peace in this part of the world. Readers will benefit from understanding the relationship between mental health and human rights understanding ethical and professional dimensions a broadened knowledge of working with victims

Shortlisted for the 2020 Association for the Study of the Arts of the Present Book Prize​ Winner of the 2019 Art Journal Prize from the College Art Association What is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.